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              <text>&lt;a href="https://seamusonline.org/work/a-plurality-of-one/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://jamesmobberleymusic.com/list-of-works-score-samples/a-plurality-of-one-pages-1-6/"&gt;James Mobberley's website&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/232418948&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
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                <text>&lt;em&gt;A Plurality of One&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/628"&gt;James Mobberley&lt;/a&gt;</text>
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&lt;p&gt;A Plurality of One was commissioned by clarinetist Robert Hill for premiere in Cleveland, Ohio.&amp;nbsp; The idea for the piece came from a recording session which provided a variety of clarinet sounds for the composer to use in making the accompanying tape part – that is, to use ONLY clarinet sounds, thereby insuring a strict timbral unity between soloist and tape. &amp;nbsp;This recording is by clarinetist Patricia Kostek-Huebner.&lt;/p&gt;&#13;
&lt;p style="line-height: 18.0pt;"&gt;&lt;span style="font-family: 'Georgia','serif'; color: #333333;"&gt;Composer contact: &amp;nbsp;mobberleyj@umkc.edu &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="line-height: 18.0pt; text-align: start;"&gt;&lt;span style="font-family: 'Georgia','serif'; color: #333333;"&gt;Website (scores, recordings and info): &amp;nbsp;http://jamesmobberleymusic.com &amp;nbsp;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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              <text>&lt;a href="https://seamusonline.org/work/earth-tones/"&gt;SEAMUS Database&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/48960166&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/628"&gt;James Mobberley&lt;/a&gt;</text>
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&lt;p&gt;Earth Tones was the first significant piece of electroacoustic music I wrote in graduate school (1978), and was created using a 4-track recorder, a Moog Mark IV, an Arp 2600 with sequencer and an EchoPlex (analog echo). It’s now become an homage to the wonderful synth sounds of the 1970s and to the meeting point between contemporary concert music and progressive rock — a place I’ve been exploring and mining now for decades. Thanks for the memories.&lt;/p&gt;&#13;
&lt;p style="line-height: 18.0pt;"&gt;&lt;span style="font-family: 'Georgia','serif'; color: #333333;"&gt;Composer contact: &amp;nbsp;mobberleyj@umkc.edu &amp;nbsp; &amp;nbsp;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p style="line-height: 18.0pt; text-align: start;"&gt;&lt;span style="font-family: 'Georgia','serif'; color: #333333;"&gt;Website (scores, recordings and info): &amp;nbsp;http://jamesmobberleymusic.com &amp;nbsp;&lt;span class="apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&#13;
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Published on 60×60 Pacific Rim Mix, 2012</text>
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              <text>&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/BezF0uzOlmM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/p&gt;</text>
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Published on two audio CDs:&#13;
&#13;
Insomnia, Kai Schumacher, piano. SWR Music/Hänssler Classic (093.334.000), June 2015.&#13;
&#13;
Here (and There), Jeri-Mae Astolfi, piano. Innova Records (Innova 846), January 2013.</text>
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Published on 60×60 Crimson Mix, 2010&#13;
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Composed in memory of Allen Strange (1943 – 2008)</text>
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&lt;p&gt;2-, 4-, &amp;amp; 8-channel TimeLines available&lt;/p&gt;&#13;
&lt;p&gt;Published on audio CD: &lt;em&gt;Ghost Strings&lt;/em&gt;, Patricia Strange , violin. IMG Media, CD-02-01, 2006.s&lt;/p&gt;&#13;
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