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                <text>This work is about the moments when people come together to resist power.</text>
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                <text>&lt;a href="http://compel-dev.vtlibraries.net/items/show/662"&gt;Jane Rigler&lt;/a&gt;</text>
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                <text>for moving flutist and pre-recorded electronic part&lt;br /&gt;&lt;br /&gt;Influenced by the movement of traditional Noh actors, &lt;em&gt;Convexed Origins&lt;/em&gt; links ancient Japanese gestures as both sound and movement. This is a summoning to one’s ancestors through the simplicity of line, shape and texture of sound and body. The pre-recorded electronic part dictates the form, the flute outlines the body and the movement extends the boundaries of the music.</text>
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              <text>flute and electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/traceshuellas/"&gt;SEAMUS Database&lt;/a&gt;</text>
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                <text>&lt;em&gt;Traces/Huellas&lt;/em&gt;</text>
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                <text>2005</text>
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                <text>&lt;a href="http://compel-dev.vtlibraries.net/items/show/662"&gt;Jane Rigler&lt;/a&gt;</text>
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                <text>Centered around the story of the “hero’s quest” (inspired by Joseph Campbell’s writings on the subject) this open-structured, five-movement quadraphonic work relays the musical journey of a hero and her inner/outer struggles.</text>
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