51
10
868
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Composition
An original work.
Instrumentation
for three percussionists, electronics, and video processing
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
11:00
URL
<a href="https://seamusonline.org/work/walkside-lost/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="640" height="360" src="https://player.vimeo.com/video/140159929?h=288b7f833a" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="allowfullscreen"></iframe></p>
<p><a href="https://vimeo.com/140159929">walkside, lost (2015) for three percussionists, electronics, and video processing</a> from <a href="https://vimeo.com/jasontbuchanan">Jason Thorpe Buchanan</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>walkside, lost</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/648">Jason Thorpe Buchanan</a>
Description
An account of the resource
<div class="work-body">
<p><em>walkside, lost</em><br />by <a href="https://compel-dev.vtlibraries.net/items/show/648">Jason Thorpe Buchanan</a><br />Text by <a href="https://compel-dev.vtlibraries.net/items/show/823">Darcie Dennigan</a></p>
<p>Commissioned by Gaudeamus Muziekweek for Slagwerk Den Haag.<br />World Premiere: Utrecht, Netherlands – September 13, 2015</p>
</div>
Contributor
An entity responsible for making contributions to the resource
<a href="https://compel-dev.vtlibraries.net/items/show/823">Darcie Dennigan</a> - text
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Composition
An original work.
Instrumentation
Pro Tools, Guitar
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
5:53
URL
<a href="https://seamusonline.org/work/warmth-for-fixed-media-and-video/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="560" height="315" src="https://www.youtube.com/embed/vx5huLo8vio" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"></iframe></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Warmth for Fixed Media and Video</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/651">Gabe Berry</a>
Description
An account of the resource
Justly-tuned guitar harmonic samples composed with rhythmic ratios and pleasant squares.
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Composition
An original work.
Instrumentation
Harp
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
Movement I: 6:04<br />Movement II: 7:19<br />Movement III: 6:33
URL
<a href="https://seamusonline.org/work/weav-weav-weaving-for-harp-and-interactive-electronics/">SEAMUS Database</a><br /><a href="https://www.youtube.com/watch?v=a3LGXvVgCDQ&list=PL5GBxMmvpzqFdsANyZ3N1ONgB_QeYTyCj&index=4">YouTube- Movement I</a> <br /><a href="https://www.youtube.com/watch?v=aE0sHXccWi4&list=PL5GBxMmvpzqFdsANyZ3N1ONgB_QeYTyCj&index=2">YouTube- Movement II</a> <br /><a href="https://www.youtube.com/watch?v=cLvnpAB2y9k&list=PL5GBxMmvpzqFdsANyZ3N1ONgB_QeYTyCj&index=3">YouTube- Movement III</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Weav-Weav-Weaving for harp and interactive electronics</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="http://compel-dev.vtlibraries.net/items/show/660">Jennifer Ellis</a>
Description
An account of the resource
Three movement work for harp, electronics, and motion sensor inspired by the poetry of Edna St. Vincent Millay
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Composition
An original work.
Instrumentation
fixed media (also available for trombone and fixed media)
URL
<a href="https://seamusonline.org/?post_type=work&p=11068">SEAMUS Database</a><br /><a href="https://soundcloud.com/hlstebbins/what-i-am-not-fixed-version">SoundCloud</a>
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/698">Heather Stebbins</a>
Length
10:00
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>what i am not</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
-
Composition
An original work.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Where Water Meets Memory </em>
Creator
An entity primarily responsible for making the resource
<a href="http://compel-dev.vtlibraries.net/items/show/820">Eli Stine</a>
Date
A point or period of time associated with an event in the lifecycle of the resource
2021
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Composition
An original work.
Instrumentation
for piano and live electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
10:00
URL
<a href="https://seamusonline.org/work/white-canvas/">SEAMUS Database</a><br /><a href="http://keithkirchoff.com/Contact.html">Contact Kirchoff</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>White Canvas</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/646">Keith Kirchoff</a>
Description
An account of the resource
<div class="work-body">
<p><em>I woke up one morning after a performance in Connecticut, and I realized that everything I had recently composed was following a similar pattern and, to some degree, was actually just the same piece slightly reimagined. </em>White Canvas <em>was a compositional exercise in which I challenged identify each of these characteristics, and then intentionally do the opposite.</em></p>
</div>
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Composition
An original work.
Instrumentation
"electroacoustic"
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
4:29
URL
<a href="https://seamusonline.org/work/white-turbulence/">SEAMUS Database</a><br /><a href="https://starkland.org/catalog/s2010/">Starkland Music</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>White Turbulence</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2000
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
When I first started thinking about this piece, I thought it might be interesting to have water as a unifying theme. I recorded many sounds involving water with microphones and hydrophones and processed them using phase vocoding, convolving, and extreme equalization. As I started putting the piece together, I thought it might be playful to incorporate some obvious quadraphonic effects (the convolved airplane at the beginning) in addition to the more subtle spatialization techniques I used such as continuously varying phase relationships. Other sounds include waves lapping against the shore, an old toilet tank slowly filling with water, a brass ball spinning very fast in a stainless steel bowl with a small amount of water, etc. There is a mix of recognizable (although processed) sounds and sounds processed beyond recognition. While working on this piece I recalled the difficulty of layering complex sounds which were spatially oriented with other complex sounds of another spatial orientation. The space tends to become confused or to simply collapse when layering the sounds. This piece is therefore reminiscent of many of my early quadraphonic pieces (1973-1985) which are more episodic rather than thickly layered.
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Composition
An original work.
Instrumentation
flute, oboe, bass clarinet, tenor sax, trumpet, trombone, piano, percussion, 2 violins, viola, cello, electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
7:00
URL
<a href="https://seamusonline.org/work/whitewaves/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/205345079&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/skymacklay" title="skymacklay" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">skymacklay</a> · <a href="https://soundcloud.com/skymacklay/whitewaves" title="White/Waves" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">White/Waves</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>White/Waves</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/624">Sky Macklay</a>
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Composition
An original work.
Instrumentation
Acousmatic work- Fixed media
URL
<a href="https://seamusonline.org/work/wind-chimes-clatter-through-the-mist-and-fog/">SEAMUS Database</a> <br /><a href="https://soundcloud.com/jon-fielder/wind-chimes-clatter-through-the-mist-and-fog-stereo-mix">SoundCloud</a>
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
8:00
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Wind Chimes Clatter through the Mist and Fog</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/679">Jon Fielder</a>
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Composition
An original work.
Instrumentation
alto flute or flute and live electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
17:00
URL
<a href="https://seamusonline.org/work/wind-in-spring/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165828779&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/wind-in-spring" title="Wind In Spring" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Wind In Spring</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Wind in Spring</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/643">Jacob Sudol</a>
Description
An account of the resource
<p>(SCORE AND ELECTRONICS AVAILABLE BY REQUEST – jacob.sudol@gmail.com)</p>
<p>stereo and surround versions available</p>
<div class="sc-type-small">
<div>
<p>– Recording Carla Rees (alto flute) and Jacob David Sudol (electronics); Recorded February 2011 at the University of California, San Diego</p>
<p>* * * * *</p>
<p>Program Note</p>
<p>Wind in Spring (2010-2011) is the third in a series of works for different instruments and electronics. All of these works use the same electronic techniques and explore nearly identical structural progressions. The first two pieces – “…wash yourself of yourself” (2009-2010) for piano and electronics and From Silence, I Rise (2010) for zheng and electronics – use open notations that allow the performer great flexibility in realizing the material. Wind in Spring, on the other hand, is notated with far more attention to specific details.</p>
<p>Wind in Spring was composed for flutist Carla Rees and the rarescale duo. It was premiered and recorded by Carla Rees, with the composer on electronics, in February 2011 at the University of California, San Diego</p>
<p>–Jacob David Sudol<br />March 2011<br />La Jolla, CA</p>
</div>
</div>