5 10 868 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/713">Ewa Trebacz</a> Instrumentation Symphony orchestra and electronics Length 13:50 URL <a href="https://seamusonline.org/work/anclsunr/">SEAMUS Database</a> <a href="https://soundcloud.com/user-905656918/anclsunr-remix-2013-polish">SoundCloud</a> <a href="http://ewatrebacz.com/ancl/">Trebacz's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANC'L'SUNR Date A point or period of time associated with an event in the lifecycle of the resource 2013 Description An account of the resource Spatial Soundscape with Orchestra in the Foreground Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/698">Heather Stebbins</a> Instrumentation ensemble (alto flute, clarinet, piano, percussion, violin, cello) and electronics Length 12:00 URL <a href="https://seamusonline.org/work/and-drift/">SEAMUS Database</a> <a href="https://issuu.com/hlstebbins/docs/and_drift_10615">issuu</a> <a href="https://soundcloud.com/hlstebbins/and-drift">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource and drift Date A point or period of time associated with an event in the lifecycle of the resource 2015 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/702">Jacob Thiede</a> Instrumentation Flute and computer Length 7:00 URL <a href="https://seamusonline.org/work/and-everything-in-between/">SEAMUS Database</a> <a href="https://vimeo.com/207286219">Vimeo</a> <a href="https://payhip.com/b/v0NF">Purchase the score and electronics here</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource And everything in-between Date A point or period of time associated with an event in the lifecycle of the resource 2016 Description An account of the resource Commissioned and dedicated to Krisztina Dér, "And everything in-between" explores different harmonic and rhythmic material through pop-culture musical idioms. Composition An original work. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 5:33 URL <a href="https://seamusonline.org/work/antagonism-constellation-factory/">SEAMUS Database</a> <a href="https://www.youtube.com/watch?v=30Hz9tG-30k">YouTube</a> <a href="http://www.nicolaschuaqui.com/antagonism.html#.V4qXhyMrKRY">Chuaqui's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Antagonism Constellation Factory Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/677">Nicolas Chuaqui</a> Description An account of the resource Stereo fixed media; found and synthesized sounds In this electronic piece I used the temporal aspect of the material to create contrast; instead of transforming the material over the course of the piece, I tried to make the sounds stay largely the same and build the piece out of the subtleties of the relationship between them. The opening section puts sounds that seemingly have little in common in close proximity; the relationship is not developed, and instead a contrasting section begins, which soon ends up combining with the opening sounds. The resolution of this section is not what would be expected, and instead the sounds are finally transformed into something new; this, however, is short-lived. In a manner similar to Varèse’s Poème électronique, the piece focuses on the unexpected, and creates an evocative narrative through the juxtaposition of material; Antagonism Constellation Factory presents this narrative in a terse and sometimes antagonistic fashion. Composition An original work. Instrumentation cello and computer Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 5:30 URL <a href="https://seamusonline.org/work/anticenter-stream-composition-old-stars/">SEAMUS Database</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/23913878&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe> <div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/steven-kemper" title="Steven Kemper" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Steven Kemper</a> · <a href="https://soundcloud.com/steven-kemper/anticenter-stream-composition" title="Anticenter Stream: Composition Old Stars" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Anticenter Stream: Composition Old Stars</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Anticenter Stream: Composition, Old Stars Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/619">Steven Kemper</a> Description An account of the resource Anticenter Stream, composition: Old Stars was written in collaboration with astronomer Jeff Carlin, who's research focuses on the streams of stars left behind by these dwarf galaxies when they venture too close to our much more massive Milky Way galaxy. One of these streams, known as the Anticenter Stream, was thought to be part of a much larger ring of stars, but Jeff has shown that it is likely a distinct entity. This discovery adds to our understanding of how large galaxies like the Milky Way are built up over time. Kemper’s composition, Anticenter Stream, composition: Old Stars is a meditation on Carlin’s research as well as astronomy’s role in explaining the construction of the universe. Composition An original work. Instrumentation for flute and live electronics (one performer) URL <a href="https://soundcloud.com/brianriordan/aphantasia">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aphantasia Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/678">Brian Riordan</a> Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/775">Mark Applebaum</a> Instrumentation Solo choreographed vocalist and tape Dependencies Hardware and/or software required to run electronics or other programs. Two-channel speaker setup Performance(s) Link to performance expressions of the composition. <a href="https://compel-dev.vtlibraries.net/items/show/774">May 21, 2012- NIME 12 Concert Program</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aphasia Description An account of the resource Piece for singer and two-channel tape. Gestures are performed in synchrony with the sounds. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 5:24 URL <a href="https://seamusonline.org/work/apolliana/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1004.mp3">Listen to Apolliana</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apolliana Date A point or period of time associated with an event in the lifecycle of the resource 1970 Source A related resource from which the described resource is derived Source material from Moog synthesizer, voices of moon landing, toy astronauts and Richard Nixon. Composition An original work. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11:51, 12:12 with video Multimedia Elements video URL <a href="https://seamusonline.org/work/apparent-horizon/">SEAMUS Database</a> <a href="https://www.innova.mu/albums/maggi-payne/arctic-winds">Arctic Winds </a><a href="https://www.innova.mu/albums/maggi-payne/arctic-winds">album on Innova</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apparent Horizon Date A point or period of time associated with an event in the lifecycle of the resource 1996 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a> Description An account of the resource <div class="work-body"> I started gathering video images for Apparent Horizon six years prior to its completion. These shots slowly reveal information in various landscapes by holding still on an image for several seconds, then zooming in or out or panning to reveal more detail, an unusual vista, rock formation, etc. It occurred to me that it also might be interesting to see what might be “revealed” from an overhead view. Since it was impractical to rent airplanes for this purpose, I incorporated NASA footage taken by the Space Shuttle and Apollo series astronauts. At times it is difficult to distinguish views of the earth from space from those taken on the earth’s surface. Many of the earthbound shots are of rather “alien” landscapes—those where I, as a human being, don’t really fit in—I’m the alien there. In these often desolate places the only sounds one hears are wind, insects, a scant number of birds and animals, and a rare rainstorm. I decided to take our constant human chatter and transpose it into sounds somewhat reminiscent of nature’s sounds in the landscapes to which they are attached or to transform them into somewhat “otherworldly” sounds. This was an attempt to convey an aural impression of the sensations I have experienced while in these earthbound landscapes and those sensations I imagine the astronauts might experience while viewing the earth from space. Sound sources consisted of transmissions from/through space and were from Space Shuttle and Apollo missions, satellite transmissions, and shortwave radio broadcasts. Often I chose sections that were full of static and distortion—signals that were reaching unintelligibility. There are Morse Code “crickets” at Bryce Canyon and static “rain” at the Canyonlands. This is the third work in a series of video pieces based on transformations of human-made or generated sounds, the previous two being Airwaves (realities) and Liquid Metal. </div> Composition An original work. Instrumentation for Alto Saxphone and Electronics Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 7:30 URL <a href="https://seamusonline.org/work/apparitions/">SEAMUS Database</a> <a href="https://www.amazon.com/dp/B005938V4A/ref=sr_1_1?keywords=eric+honour+phantasm&qid=1680316339&s=dmusic&sr=1-1">Phantasm on Amazon</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Apparitions Date A point or period of time associated with an event in the lifecycle of the resource 2004 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/638">Ed Martin</a>