5 10 868 Composition An original work. URL <a href="https://seamusonline.org/work/below-the-written-pitches-of-brian-ferneyhoughs-superscriptio-for-solo-piccolo/">SEAMUS Database</a> <a href="https://soundcloud.com/delaurenti/below-the-written-pitches-of">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Below the written pitches of Brian Ferneyhough's Superscriptio for solo piccolo Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/668">Christopher DeLaurenti</a> Description An account of the resource Another installment in my found soundscape series; Below the written pitches spectrally extracts sound beneath the written pitches of Brian Ferneyhough's Superscriptio for solo piccolo to reveal recording anomalies, latent undertones, and mechanical noises. Composition An original work. URL <a href="https://seamusonline.org/work/deckle/">SEAMUS Database</a> <a href="https://soundcloud.com/delaurenti/deckle?in=delaurenti/sets/electroacoustic">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Deckle Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/668">Christopher DeLaurenti</a> Description An account of the resource Stridulating, dub-like glitch with tilting planes of reverb and echo. Deckle was created as a pocket remix for Wyndel Hunt's album Sunshine Noir released in 2010 by Dragon's Eye Recordings. Composition An original work. URL <a href="https://seamusonline.org/work/live-at-the-third-practice-festival-november-2-2013/">SEAMUS Database</a> <a href="https://soundcloud.com/delaurenti/live-at-the-third-practice">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Live at the Third Practice Festival - November 2, 2013 Date A point or period of time associated with an event in the lifecycle of the resource 2013 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/668">Christopher DeLaurenti</a> Description An account of the resource Held at the University of Richmond in Virginia, Third Practice is an annual festival devoted to adventurous acoustic and electronic music. See www.thirdpractice.org for details. Live and unedited with no post-performance processing or overdubs: I improvised a short set in AudioMulch layering, mixing, and processing acoustic and electromagnetic field recordings. Composition An original work. Instrumentation for pipa, prepared piano, horn in f, double bass, and live electronics URL <a href="https://www.youtube.com/watch?v=bpF1vY3L7_Q">YouTube</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Laniakea Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/678">Brian Riordan</a> Composition An original work. Instrumentation electronics + anything URL <a href="https://seamusonline.org/work/improvisation/">SEAMUS Database</a> <a href="https://soundcloud.com/brianriordan/the-tub-07-24-2016">SoundCloud- </a><a href="https://soundcloud.com/brianriordan/the-tub-07-24-2016">The Tub</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Real-Time Processing Improv" Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/678">Brian Riordan</a> Description An account of the resource real-time signal processing of improvisers Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Where Water Meets Memory Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/820">Eli Stine</a> Date A point or period of time associated with an event in the lifecycle of the resource 2021 Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="http://compel-dev.vtlibraries.net/items/show/954">Bent Frequency </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Composite and Parallax Description An account of the resource Composite and Parallax, for alto sax, percussion, and immersive audio, complements the instrumentation of Bent Frequency Duo with a electronic sound palette of what I imagine to be a surreal, giant non-pitched iron instrument surrounding the audience. Throughout the piece, patterns between the two live instruments, as well as patterns within the electronic audio, shift against each other in a way I found to be evocative of a parallax effect: an effect where the direction of an object appears to differ when viewed from different positions. A common example of parallax is when looking out the window of a moving car, light poles move by faster than the trees behind them, which move by faster than the moon. In composing the piece, I tried to create some sonic illusions akin to this example, while also trying to tap into some of the feeling of catharsis (or perhaps nostalgia) of staring out the window at the moon as it appears to follow the car, as the rest of the world races by. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/958">Peter Van Zandt Lane</a> Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hyperthermic Description An account of the resource Hyperthermic" is based on sound material that in various ways is associated with global warming and extreme weather phenomena: wind, rain, storm, fire, flooding, heat, meltwater and deforestation. The harmonic material, and in part the formal structure of the work, is derived from the Earth’s resonance frequencies in the electromagnetic field that vary in response to global lightening activity, which in turn intensifies in response to global warming. The work is composed for a multi-channel loudspeaker setup surrounding the audience. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/960">Frank Ekeberg</a> Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="http://compel-dev.vtlibraries.net/items/show/954">Bent Frequency </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I stood on the shore and looked up at the birds Description An account of the resource Ten years before composing "I stood on the shore and looked up at the birds", I composed my Trio, for violin, piano, and percussion (plus electronics) for Toronto’s Arraymusic Ensemble. I developed several important compositional practices during my work on that piece that I still employ today, one of which is my approach to combining electronic sounds with live performers. In my Trio, the electronics are fairly sparse, consisting entirely of a few sustained tones that support the instrumentalists and help to define the formal structure. Although electronics are often more significantly audible in many of my works, the relationship between performers and electronic sounds, which places a more significant emphasis on the acoustic sounds made by performers, has remained fairly consistent. I composed the Trio at an important transitional period in my life, right as I started my first academic position and shortly after getting married and finishing my Ph.D. For whatever reason, I found myself thinking about that time and composing the Trio while I was working on I stood on the shore and looked up at the birds, and so as a kind of homage to myself I decided to blatantly rip off the technique I first developed for the Trio of dropping in a couple of sustained sounds to help differentiate form. I stood on the shore and looked up at the birds was composed in fall/ winter 2013-14. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/962">Jeff Herriott</a> Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plasticine Description An account of the resource Plasticine explores the organic and gestural aspects as well as the semi-chaotic and generative possibilities afforded by modular synthesis, specifically the Eurorack format, in the context of electroacoustic composition. The plasticity and malleability of sound, space, and motion is a central theme to the composition. The piece focuses on the juxtaposition of abstract synthesized sounds and natural sound textures. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/964">Timothy Moyers Jr.</a>