2 10 868 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 7:36 URL <a href="https://seamusonline.org/work/ofa-atu-tonga/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1082.mp3">Listen to 'Ofa atu Tonga</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Ofa atu Tonga Date A point or period of time associated with an event in the lifecycle of the resource 1972 Description An account of the resource Bregman Electronic Music Studio. Work using real and fabricated source material from the Kingdom of Tonga. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 9:12 URL <a href="https://seamusonline.org/work/otahiti/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1084.mp3">Listen to 'Otahiti</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 'Otahiti Date A point or period of time associated with an event in the lifecycle of the resource 1974 Description An account of the resource Bregman Electronic Music Studio. A political piece in protest against French nuclear testing in the Pacific. Source material from French Polynesia and voices recorded in France. Commissioned by the Group de Musique Experimentale de Bourges. Composition An original work. Instrumentation solo voice (with optional electronics & video) Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 9:00 URL <a href="https://seamusonline.org/work/ce-dangereux-supplement/">SEAMUS Database</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="640" height="360" src="https://player.vimeo.com/video/156198149?h=155f2857f2" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="allowfullscreen"></iframe> <a href="https://vimeo.com/156198149">Hayden - "…ce dangereux supplément…" (studio)</a> from <a href="https://vimeo.com/ethayden">Ethan Hayden</a> on <a href="https://vimeo.com">Vimeo</a>. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "…ce dangereux supplément…" Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/629">Ethan Hayden</a> Description An account of the resource “…ce dangereux supplément…” is a set of phonetic studies for voice, video, and electronics. A suite of three pieces [(tRas), (spɛktʁ), and (sɑ̃dʁ)] the work is based on a close examination of the sounds used in everyday linguistic activity, which are juxtaposed against more extreme vocal effects. The live performance is supplemented with electronic voices which stretch and transform this common vocality. The visuals range from rapid-fire successions of symbols from the International Phonetic Alphabet, to more suspended meditations on elaborately arranged orthographic tapestries made from the same symbols. “…ce dangereux supplément…” is a poetic rehearsal of the Derridean supplement, that unbelonging excess in a binary opposition which is (contradictorily) crucially indispensable. This takes place throughout the work via a dialectic between linguistic articulation (consonants) and voiced intonation (vowels). While moving between these two poles, the performer acts out a futile search for the primary referent (or “master signifier”), but eventually realizes all that is to be found is an infinite hauntology, a spectral chain of traces, specters, and cinders. Composition An original work. Instrumentation piano and live electronics Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 15:00-30:00 URL <a href="https://seamusonline.org/work/wash-yourself-of-yourself/">SEAMUS Database</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="560" height="315" src="https://www.youtube.com/embed/HbDHHQZ8HBg" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe> <iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/150713910&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe> <div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/wash-yourself-of-yourself" title=""…wash yourself of yourself" (2009-10)" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">"…wash yourself of yourself" (2009-10)</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "…wash yourself of yourself" Date A point or period of time associated with an event in the lifecycle of the resource 2010 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/643">Jacob Sudol</a> Description An account of the resource <div class="work-body"> (SCORE AND ELECTRONICS AVAILABLE BY REQUEST – jacob.sudol@gmail.com) stereo and multi-channel versions available Program Note “…wash yourself of yourself” incorporates two electronics techniques that I developed in 2008 and 2009. One technique uses real-time spectral analysis to create timbres by both subtractive and additive synthesis. These timbres imitate the original sounds as well as the combination tones our brains create when hearing these sounds. The other technique uses real-time spectral analyses to create statistically transforming clouds of microtonal samples. In the case of my recent piano works, the samples used to create these clouds are also piano sounds. Both of these techniques aim to provide the listener with novel methods to explore his or her own listening. “…wash yourself of yourself” is the second modular part to my other recent work for piano and electronics “Be melting snow…” While the latter work explores strictly notated algorithms, “…wash yourself of yourself” presents the same techniques in an open and structured improvisational manner. The combined quote “Be melting snow, wash yourself of yourself” comes from a poem by Rumi. Both these works along with a third work for piano and electronics – “…approaching a prayer” – comprise a trilogy of works that explore similar electronic techniques and contemplative interests. Pianist <a href="https://compel-dev.vtlibraries.net/items/show/945">Xenia Pestova</a> and composer Jacob David Sudol premiered “…wash yourself of yourself” in the Experimental Music Theatre at the University of California, San Diego in November 2009. The entire collection of works was written for and is dedicated to Taiwanese pianist and composer <a href="https://compel-dev.vtlibraries.net/items/show/944">Chen-Hui Jen</a>. -Jacob David Sudol January 8 and 9, 2010 La Jolla, CA and New York City, NY </div> Composition An original work. Instrumentation electronics + anything URL <a href="https://seamusonline.org/work/improvisation/">SEAMUS Database</a> <a href="https://soundcloud.com/brianriordan/the-tub-07-24-2016">SoundCloud- </a><a href="https://soundcloud.com/brianriordan/the-tub-07-24-2016">The Tub</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Real-Time Processing Improv" Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/678">Brian Riordan</a> Description An account of the resource real-time signal processing of improvisers Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/678">Brian Riordan</a> Instrumentation For piano and electronics URL <div class="performance-clip-wrap"><a href="https://seamusonline.org/work/while-the-earth-is-still-turning/">SEAMUS Database</a> <a href="https://www.youtube.com/watch?v=Y5Wb4FeOQhY">YouTube SoundCloud</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "while the earth is still turning" Date A point or period of time associated with an event in the lifecycle of the resource 2016 Contributor An entity responsible for making contributions to the resource This was written in collaboration with pianist Sonya Belaya. Composition An original work. Instrumentation For trio (clarinet, cello, piano) and fixed media Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 15:00 URL <a href="https://seamusonline.org/work/20-or-so-variations/">SEAMUS Database</a> <a href="https://ryancarter.org/listen">Carter's website</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource 20 (or so) Variations Date A point or period of time associated with an event in the lifecycle of the resource 2008 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/653">Ryan Carter</a> Composition An original work. Instrumentation Fixed Media Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4:30 URL <a href="https://seamusonline.org/work/a-blade-within/">SEAMUS Database</a> <a href="https://soundcloud.com/chad-powers/a-blade-within">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A BLADE WITHIN Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/631">Chad Powers</a> Description An account of the resource I find myself sometimes lost and unsure within the compositional process. Whether the work is an acoustic, electronic, or a combination of both, I often find the struggle is the same. A Blade Within is a fix media 2 channel stereo work that found it's conception within the struggle of the composer's processes. I try to express these subjective operandi by means of raw, as well as manipulated sound sources. The final gesture of the work accentuates the nucleus of the main idea. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> <a href="https://compel-dev.vtlibraries.net/items/show/768">Tom Scott</a> <a href="https://compel-dev.vtlibraries.net/items/show/769">Bob Thiele</a> Instrumentation Jazz orchestra and electro-acoustic sound and exceprts of political speeches Length 16:57 URL <a href="https://seamusonline.org/work/a-few-thoughts-for-the-day/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1030.mp3">Listen to A Few Thoughts for the Day</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Few Thoughts for the Day Date A point or period of time associated with an event in the lifecycle of the resource 1969 Description An account of the resource Collaboration with Tom Scott and Bob Thiele for LP ‘Bob Thiele Emergency’. A work for jazz orchestra and electro-acoustic sound and exceprts of political speeches for an LP produced by Bob Thiele for Flying Dutchman Records. Source A related resource from which the described resource is derived Jazz orchestra and electro-acoustic sound and exceprts of political speeches Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/690">Corey Cunningham</a> Length 9:46 URL <a href="https://seamusonline.org/work/a-natural-perspective/">SEAMUS Database</a> <a href="https://www.youtube.com/watch?v=sz12MJEaTv8">YouTube</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A Natural Perspective Date A point or period of time associated with an event in the lifecycle of the resource 2016 Description An account of the resource Dance Collaboration