19
10
868
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Composition
An original work.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
10:18
URL
<a href="https://seamusonline.org/work/fizz/">SEAMUS Database</a><br /><a href="https://www.innova.mu/albums/maggi-payne/arctic-winds"><em>Arctic Winds </em></a><a href="https://www.innova.mu/albums/maggi-payne/arctic-winds">on Innova</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Fizz</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
Two sounds primarily sparked <strong><em>FIZZ</em></strong>. The first was a disequilibrium in a toilet tank that caused almost inaudible cyclic, but constantly changing, sounds: a faint rising squeak that occurred at the valve where the rod attaches, coupled with water trickling down the refill pipe, resulting in a squeak, trickle, squeak, trickle sequence. I stretched this sound using granular synthesis and layered the results. There is an ebb and flow that floats naturally across the space. It provides the long section that occurs after the rhythmic filtered faulty faucet valve that begins the piece. Disk drives turning on and off then spiral us into a section in which a malfunction in my system caused cyclic low frequency feedback. This is accompanied by fizz, a sound that I never captured satisfactorily until a student, Alison Johnson, played her wonderful recording of fizzing for me. She divulged her method of producing fizzing, providing the second spark for this piece.
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Composition
An original work.
Instrumentation
electroacoustic
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
6:21
URL
<a href="https://seamusonline.org/work/beyond/">SEAMUS Database</a><br /><a href="https://www.innova.mu/albums/steven-m-miller/between-noise-and-silence">Innova</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Beyond</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
Beyond the boundaries of earth to the vastness of the universe.
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Composition
An original work.
Instrumentation
electroacoustic
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
8:32
URL
<a href="https://seamusonline.org/work/recycle/">SEAMUS Database</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>ReCycle</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
<em>ReCycle</em> uses my recordings of a refrigerator, a freezer, a floor furnace, ice melting, water boiling, a Jacob’s ladder I built, a faulty faucet, and noise between pieces in old 78 recordings. Some of these sounds have large cycles such as the refrigerator, freezer and floor furnace cycling on and off, but there are also cyclic patterns within their “on-times.” The Jacob’s ladder has an irregular cycle. The faulty water faucet, the penultimate sound in the piece, and the looped noise between pieces from an old recording at the very end have the most consistent rhythmic cycles. The “Re” in the title comes from both the use of the sounds of my re-frigerator, and the recycling of unused source materials from some of my previous works, including <em>Distant Thunder</em>, <em>Fluid Dynamics</em>, and <em>System Test</em>.
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Composition
An original work.
Instrumentation
electroacoustic
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
13:02
URL
<a href="https://seamusonline.org/work/moire/">SEAMUS Database</a><br /><a href="http://www.centerforvisualmusic.org/Belson/">Center for Visual Music</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Moiré</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1996
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
<em>Moiré</em> is the soundtrack for <a href="https://compel-dev.vtlibraries.net/items/show/947">Jordan Belson</a>’s 2001 video <em>Bardo</em>. It also appears on Asphodel label’s <em>Swarm of Drones</em> CD set. Most of the source materials are derived from natural sounds that are highly processed using extensive layering, resonant filters, equalization and SoundHack algorithms, resulting in a complete disassociation from their origins. Spatial location and modulation are of primary concern.
Contributor
An entity responsible for making contributions to the resource
<a href="https://compel-dev.vtlibraries.net/items/show/947">Jordan Belson</a>
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Composition
An original work.
Instrumentation
"electroacoustic"
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
4:29
URL
<a href="https://seamusonline.org/work/white-turbulence/">SEAMUS Database</a><br /><a href="https://starkland.org/catalog/s2010/">Starkland Music</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>White Turbulence</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2000
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/640">Maggi Payne</a>
Description
An account of the resource
When I first started thinking about this piece, I thought it might be interesting to have water as a unifying theme. I recorded many sounds involving water with microphones and hydrophones and processed them using phase vocoding, convolving, and extreme equalization. As I started putting the piece together, I thought it might be playful to incorporate some obvious quadraphonic effects (the convolved airplane at the beginning) in addition to the more subtle spatialization techniques I used such as continuously varying phase relationships. Other sounds include waves lapping against the shore, an old toilet tank slowly filling with water, a brass ball spinning very fast in a stainless steel bowl with a small amount of water, etc. There is a mix of recognizable (although processed) sounds and sounds processed beyond recognition. While working on this piece I recalled the difficulty of layering complex sounds which were spatially oriented with other complex sounds of another spatial orientation. The space tends to become confused or to simply collapse when layering the sounds. This piece is therefore reminiscent of many of my early quadraphonic pieces (1973-1985) which are more episodic rather than thickly layered.
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Composition
An original work.
Instrumentation
tape
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:00
URL
<a href="https://seamusonline.org/work/descent-7/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe style="border: 0; width: 350px; height: 470px;" src="https://bandcamp.com/EmbeddedPlayer/album=728040633/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://woolgatheringsound.bandcamp.com/album/descent-7">descent #7 by woolgathering</a></iframe></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>descent #7</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/641">Jacob Sundstrom</a>
Description
An account of the resource
brought to you by Carl's Jr.<br />
<div class="work-body">
<p>One piece in six parts. There are no gaps between parts.</p>
<p>Sampled piano in loops. Reverb. Random panning and amplitude according to a predetermined behavioral framework. Everything made in Pd.</p>
<p>There exist a quadraphonic and stereo version.</p>
</div>
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Composition
An original work.
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
2:30
URL
<a href="https://seamusonline.org/work/peculiar-galaxies-ugc-4881/">SEAMUS Database</a><br /><a href="https://www.ravellorecords.com/catalog/rr7912/">Ravello Records</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<iframe width="640" height="360" src="https://player.vimeo.com/video/53996648?h=fb293180a0" frameborder="0" allow="autoplay; fullscreen; picture-in-picture" allowfullscreen="allowfullscreen"></iframe>
<p><a href="https://vimeo.com/53996648">Peculiar Galaxies: UGC4881</a> from <a href="https://vimeo.com/user1719627">Samuel Pellman</a> on <a href="https://vimeo.com">Vimeo</a>.</p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Peculiar Galaxies: UGC 4881</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/642">Samuel Pellman</a>
Description
An account of the resource
a digital emulation (on a Kyma system) of woodwind multiphonics
-
Composition
An original work.
Instrumentation
for cello or viola and live electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
11:00
URL
<a href="https://seamusonline.org/work/vanished-into-the-clouds-%e9%9b%b2%e9%9a%a0/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p>Studio Excerpt<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/213887562&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/vanished-into-the-clouds-2013-studio-excerpt" title="Vanished into the Clouds (雲隠) (2013) Studio Excerpt" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Vanished into the Clouds (雲隠) (2013) Studio Excerpt</a></div>
<p>Full Recording<iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/150226328&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/vanished-into-the-clouds" title="Vanished into the Clouds (雲隠) (2013)" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Vanished into the Clouds (雲隠) (2013)</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Vanished into the Clouds (雲隠)</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/643">Jacob Sudol</a>
Description
An account of the resource
<div class="work-body">
<div class="sc-type-small">
<div>
<p>(SCORE AVAILABLE BY REQUEST – jacob.sudol@gmail.com)</p>
<p>stereo version also available for rehearsal and performance</p>
<p>Vanished into the Clouds (雲隠) takes its title from a chapter in the ancient Japanese novel The Tale of Genji. This chapter is significant because it has no content. There are two theories about this chapter. The first theory is that the chapter is lost. The second theory, and the one that I prefer, is that the chapter was left intentionally blank so as to express the narrator’s sorrow about the death of Genji which occurs between the end of the preceding chapter and the following chapter.</p>
<p>Unlike the aforementioned chapter, this work for cello and live electronics is not left blank. This said, many conventions of music such as melodic or motivic development, clear phrase structure, and rhythmic motion are regularly obscured and ignored. The resulting work instead focuses on exploring the inner sonic regions of the cello’s open and muted C string, sudden ruptures in motion, and the gradual degradation of material. The goal of this approach is to create a sort of new musica povera that reflects on both a narrators’ or authors’ difficulty of writing as well as the sort of inequalities of wealth that pervade our world.</p>
<p>The work was written for and premiered by cellist Jason Calloway and is dedicated to him.</p>
<p>– Jacob David Sudol Kaohsiung, Taiwan July 28, 2013</p>
</div>
</div>
</div>
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Composition
An original work.
Instrumentation
for violin and live electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
7:00
URL
<a href="https://seamusonline.org/work/the-floating-bridge-of-dreams-%e5%a4%a2%e6%b5%ae%e6%a9%8b/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/222777661&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/floating-bridge-of-dreams-excerpt" title="The Floating Bridge of Dreams (夢浮橋) – excerpt" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">The Floating Bridge of Dreams (夢浮橋) – excerpt</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>The Floating Bridge of Dreams (夢浮橋)</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/643">Jacob Sudol</a>
Description
An account of the resource
<div class="work-body">
<p>(SCORE AND FULL RECORDING AVAILABLE BY REQUEST – jacob.sudol@gmail.com) </p>
<div class="sc-type-small">
<div>
<p>The Floating Bridge of Dreams (夢浮橋) is the fourth and final piece of a cycle of works for solo string instruments for live electronics based upon chapters from the Japanese novel Tale of the Genji. The work takes its title from the last chapter of the novel and, like the last three pieces of the cycle, it is based on the unresolved relationships and cycles of desires and disappointment that form the emotional core to the later Uji chapters. Following this constantly progressing yet cyclical form, this movement contains multiple transformations of materials from the previous pieces in the cycle as well as suddenly introduces and leaves unresolved multiple new transitional materials.</p>
<p>The work was written for the violinist Mari Kimura and who premiered it at the Miami Beach Urban Studios as part of the ISCM New Music Miami Festival on March 20, 2015.</p>
<p>Jacob David Sudol<br />August 7, 2015<br />Taipei, Taiwan</p>
</div>
</div>
</div>
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Composition
An original work.
Instrumentation
alto flute or flute and live electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
17:00
URL
<a href="https://seamusonline.org/work/wind-in-spring/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/165828779&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jacob-david-sudol" title="Jacob David Sudol" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jacob David Sudol</a> · <a href="https://soundcloud.com/jacob-david-sudol/wind-in-spring" title="Wind In Spring" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Wind In Spring</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Wind in Spring</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/643">Jacob Sudol</a>
Description
An account of the resource
<p>(SCORE AND ELECTRONICS AVAILABLE BY REQUEST – jacob.sudol@gmail.com)</p>
<p>stereo and surround versions available</p>
<div class="sc-type-small">
<div>
<p>– Recording Carla Rees (alto flute) and Jacob David Sudol (electronics); Recorded February 2011 at the University of California, San Diego</p>
<p>* * * * *</p>
<p>Program Note</p>
<p>Wind in Spring (2010-2011) is the third in a series of works for different instruments and electronics. All of these works use the same electronic techniques and explore nearly identical structural progressions. The first two pieces – “…wash yourself of yourself” (2009-2010) for piano and electronics and From Silence, I Rise (2010) for zheng and electronics – use open notations that allow the performer great flexibility in realizing the material. Wind in Spring, on the other hand, is notated with far more attention to specific details.</p>
<p>Wind in Spring was composed for flutist Carla Rees and the rarescale duo. It was premiered and recorded by Carla Rees, with the composer on electronics, in February 2011 at the University of California, San Diego</p>
<p>–Jacob David Sudol<br />March 2011<br />La Jolla, CA</p>
</div>
</div>