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              <text>electric guitar and interactive electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/embed-live/"&gt;SEAMUS Database&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/263794023&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
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                <text>&lt;em&gt;embed (live)&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/618"&gt;Benjamin O'Brien&lt;/a&gt;</text>
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                <text>&lt;em&gt;embed (live)&lt;/em&gt;&amp;nbsp;is a recorded improvisation for electric guitar and interactive electronics. When faced with a new electric guitar sound, some audience listeners might brush it off as just another effect. However, it is the effect itself that is the focus of their attention, which, in turn, minimizes the electric guitar and its role as a sound producer. Thus, in a sense, the effect supersedes its source. One way to get listeners to distinguish the instrument from that which is being processed is to invite them to confront the discrepancies between live and recorded sound. While recorded sound is a fixed representation or history of some sonic event, live sound is (sometimes) heard for the first and only time. In &lt;em&gt;embed (live)&lt;/em&gt;&amp;nbsp;the electric guitar acts as both an instrument that produces sound and a controller of another. While one sound is a live product of electromagnetism, the other, although composed in real-time, is a fabrication of fixed recordings contingent on the electric guitar input.</text>
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              <text>&lt;a href="https://seamusonline.org/work/hajiki-pluck/"&gt;SEAMUS Database&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/73057185&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
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                <text>&lt;em&gt;Hajiki (Pluck)&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/649"&gt;Michael Pounds&lt;/a&gt;</text>
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                <text>Fixed media piece using recordings of a Japanese shamisen. Best diffused over a multi-channel playback system.</text>
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              <text>for trumpet in C and electronic sound</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>&lt;a href="https://seamusonline.org/work/fractus-i/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.elifieldsteel.com/scores/fractusi_score.pdf"&gt;Score (PDF)&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/74442698&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/emf0" title="emf0" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;emf0&lt;/a&gt; · &lt;a href="https://soundcloud.com/emf0/fractus-i" title="Fractus I" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Fractus I&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;em&gt;Fractus I&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/650"&gt;Eli Fieldsteel&lt;/a&gt;</text>
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                <text>Fractus I received first prize in the 2012 ASCAP/SEAMUS Student Commission Competition.</text>
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              <text>for flute and electronic sound (supercollider)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>&lt;a href="https://seamusonline.org/work/fractus-iii-aerophoneme/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.elifieldsteel.com/scores/fractusiii_score_2014-07-28.pdf"&gt;Score (PDF)&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/eD8Nawa-7_o" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/83820504&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/emf0" title="emf0" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;emf0&lt;/a&gt; · &lt;a href="https://soundcloud.com/emf0/fractus-iii-aerophoneme-stereo" title="Fractus III  Aerophoneme (Stereo Mix, 07 16 2012)" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Fractus III Aerophoneme (Stereo Mix, 07 16 2012)&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;em&gt;Fractus III: Aerophoneme&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/650"&gt;Eli Fieldsteel&lt;/a&gt;</text>
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              <text>for trombone and live electronics (supercollider)</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>&lt;a href="https://seamusonline.org/work/fractus-iv-bonesaw/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.elifieldsteel.com/scores/fractusiv_score.pdf"&gt;Score (PDF)&lt;/a&gt;</text>
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          <description>Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.</description>
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            <elementText elementTextId="16084">
              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/102289636&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/emf0" title="emf0" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;emf0&lt;/a&gt; · &lt;a href="https://soundcloud.com/emf0/fractus-iv-for-trombone-and" title="Fractus IV for Trombone and SuperCollider" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Fractus IV for Trombone and SuperCollider&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;em&gt;Fractus IV: Bonesaw&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/650"&gt;Eli Fieldsteel&lt;/a&gt;</text>
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              <text>Human voices and lobby sounds, and Kyma</text>
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          <description>Length of time involved (seconds, minutes, hours, days, class periods, etc.)</description>
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              <text>&lt;a href="https://seamusonline.org/work/lobby-reforms/"&gt;SEAMUS Database&lt;/a&gt;</text>
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                <text>&lt;em&gt;Lobby Reforms&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/630"&gt;Brian Belet&lt;/a&gt;</text>
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                <text>Kyma processing of human voices and lobby sounds&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Lobby Reforms&lt;/em&gt; is a live computer processing audio environment that brings the pre-concert sounds of people passing through the lobby into the concert hall (as well as back into the lobby) in an informal collage of social activity. Microphones are placed at key locations in the lobby to gather the sounds of people arriving for this concert, buying tickets, discussing the printed concert program, chatting about the day, and just milling about before the concert itself begins.&amp;nbsp;The audio sources are processed in real-time and then directed back through the sound system to create a sonic environment that leads organically into the concert itself as the lobby sounds eventually diminish as a result of the audience leaving that space for the concert hall.</text>
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              <text>&lt;a href="https://seamusonline.org/work/warmth-for-fixed-media-and-video/"&gt;SEAMUS Database&lt;/a&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/651"&gt;Gabe Berry&lt;/a&gt;</text>
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              <text>for alto saxophone and live electronics</text>
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              <text>&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/_JGYJj5wwOE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/652"&gt;Zhixin Xu&lt;/a&gt;</text>
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                <text>First movement of the three movements piece for Saxophone and live electronics. Live processed with Max/MSP and RTcmix. Premiere: Mar. 2015, Cohen Family Studio, CCM, Cincinnati</text>
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              <text>for baritone saxophone and live electronics</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/652"&gt;Zhixin Xu&lt;/a&gt;</text>
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