10
10
868
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/725">Tom Williams</a>
URL
<a href="https://seamusonline.org/work/can/">SEAMUS database</a><br /><a href="https://soundcloud.com/tnwilliams/can-09">SoundCloud</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Can</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2009
Description
An account of the resource
Can is an abstract work that interrogates a limited range of sonic material.
Can takes two metal cans – a trash can and soda can - and crushes and shreds them sonically. It is a work of disrupted and transformed loops and rhythms shaped by strong spatial trajectories, and where classic compositional techniques of repetition and variation of material, within a strong formal design are at its core. This is a stereo version of a work that is conceived as a 5.1 piece.
"Can" won at the (2010) VIII International Contemporary Music Contest "Città di Udine" the Special Mention and medal of the Senato della Repubblica Italiana for the “electro-acoustic music” section. "Can" will be released on the Taukay label in 2011.
[description from SoundCloud- see link below]
acousmatic composition
electroacoustic music
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Composition
An original work.
Instrumentation
amplifide flute and tape
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
3:48
URL
<a href="https://imslp.org/wiki/Canto_notturno_(Buongiorno_Nardelli,_Marco)">IMSLP</a><br /><a href="https://seamusonline.org/work/canto-notturno-di-un-pastore-errante-dellasia/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/221703673&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/materialssoundmusic" title="materialssoundmusic" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">materialssoundmusic</a> · <a href="https://soundcloud.com/materialssoundmusic/canto-notturno-di-un-pastore-errante-dellasia" title="Canto Notturno (di un pastore errante dell’Asia)" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Canto Notturno (di un pastore errante dell’Asia)</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Canto notturno (di un pastore errante dell'Asia) </em>(Night chant (of a wandering shepherd of Asia))<em><br /></em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/635">Marco Buongiorno Nardelli</a>
Description
An account of the resource
after Giacomo Leopardi
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Composition
An original work.
Instrumentation
fixed media audio
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
4:07
URL
<a href="https://seamusonline.org/work/carcinoma/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/124093920&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/steven-kemper" title="Steven Kemper" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Steven Kemper</a> · <a href="https://soundcloud.com/steven-kemper/carcinoma" title="Carcinoma" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Carcinoma</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Carcinoma</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/619">Steven Kemper</a>
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/715">Alex Buehler</a>
Instrumentation
Almglocken, Crotales, Live Processing, Fixed Media
Length
6:00
URL
<a href="https://seamusonline.org/work/cardiac-cycle/">SEAMUS Database</a><br /><a href="http://www.alexbuehler.com/cardiac-cycle-2013.html">Buehler's website</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Cardiac Cycle</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Description
An account of the resource
<em>Cardiac Cycle </em>was written with two concepts in mind; the physical blood flow through a body and the concept of computer cycles. Embedded throughout the piece is an ever accelerating heartbeat, creating a sense of increasing panic and stress. This is coupled with the calm and repetitive sounds heard in the electronics and live processing.
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Composition
An original work.
Instrumentation
Piano and Fixed Media
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
6:00
URL
<a href="https://seamusonline.org/work/caution-to-the-winds/">SEAMUS Database</a><br /><a href="https://jamesmobberleymusic.com/list-of-works-score-samples/caution-to-the-winds-pages-1-6/">Score sample</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/16120402&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jim-mobberley" title="Jim Mobberley" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jim Mobberley</a> · <a href="https://soundcloud.com/jim-mobberley/caution-to-the-winds" title="Caution to the Winds for piano and fixed media" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Caution to the Winds for piano and fixed media</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Caution to the Winds</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1987
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/628">James Mobberley</a>
Description
An account of the resource
Written for and recorded by pianist Richard Cass. Supported in part by the Missouri Music Teachers Association.
Composer contact: mobberleyj@umkc.edu
Website (scores, recordings and info): http://jamesmobberleymusic.com
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a>
Instrumentation
Fixed Media
Length
10:10
URL
<a href="https://seamusonline.org/work/ce-que-signifie-la-declaration-des-droits-de-lhomme-et-du-citoyen/">SEAMUS Database</a><br /><a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1015.mp3">Listen to <em>Ce que signifie la declaration des droits de lhomme et du citoyen</em></a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Ce que signifie la declaration des droits de lhomme et du citoyen</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1989
Description
An account of the resource
Commissioned by the Groupe de Musique Experimentale de Bourges for anniversary of French Constitution. Voice: Colette Gaudin.
Source
A related resource from which the described resource is derived
Voice: <a href="https://compel-dev.vtlibraries.net/items/show/767">Colette Gaudin</a>
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/687">Alex Porter</a>
Instrumentation
for microtonally adapted keyboard; keyboard, midi, synthesizer, microtone
Length
5:00
URL
<a href="https://seamusonline.org/work/celluloid-veil/">SEAMUS Database</a><br /><a href="https://soundcloud.com/alexporter/celluloid-veil?in=alexporter/sets/compositions">SoundCloud</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Celluloid Veil</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Description
An account of the resource
This piece uses a normal midi capable keyboard, then rescales the input to 40 pitches per octave. For the ease of the performer, standard notation is used as a kind of tablature; the written note corresponds to how it’s played rather than how it sounds.
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/700">Mike Olson</a>
Instrumentation
ARP 2500
Length
8:42
URL
<a href="https://seamusonline.org/work/chamber-of-mechanisms/">SEAMUS Database</a><br /><a href="https://youtu.be/Cf-NPZHtHAA">YouTube</a><br /><a href="http://www.mikeolsonmusic.com/chamber-of-mechanisms">Mike Olson's website</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Chamber of Mechanisms</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Description
An account of the resource
Experimental electronic drone piece created from material generated on an ARP 2500 modular synthesizer.<br /><br /><em>Chamber of Mechanisms</em> is a <a href="https://mike-olson-ten4.squarespace.com/compositional-process">fragment-based</a> electronic music piece, which uses audio generated on a vintage <a href="http://www.vintagesynth.com/arp/2500.php">ARP 2500</a>. This is a very rare analog modular synthesizer. They didn’t make very many of them and only a very small number still exist. The particular instrument I’m using for this project is installed in the electronic music lab at the <a href="https://twin-cities.umn.edu/">University of Minnesota</a>, Minneapolis. The instrument was there back in the early ’80s when I was a composition student at the U. of M., but it was completely out of commission. I’m so glad it didn’t wind up on the scrap heap, as has happened to so many of these exotic old instruments. It is now functioning and usable, and I was very excited to be able spend some quality time with this beauty. Many thanks to <a href="https://www.facebook.com/MichaelMarshallDuffy?pnref=friends.search">Michael Duffy</a> who heads up the electronic music lab at the U. of M. for allowing me access to it. I spent an afternoon working with the instrument and recording a bunch of material that I then took back to my studio. There I transferred the audio into my computer and began work on constructing the finished piece. It sounds somewhat different than anything else I’ve ever done. This is no doubt due to the fact that the instrument itself has its own very particular sonic characteristics.
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a>
Instrumentation
Fixed Media
Length
2:32
URL
<a href="https://seamusonline.org/work/chefs-doeuvre/">SEAMUS Database</a><br /><a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1016.mp3">Listen to <em>Chef's d'oeuvre</em></a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Chef's d'oeuvre</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1967
Description
An account of the resource
First electronic music composition in the Griffith Electronic Music Studio. The most well-known of all the composer’s works.
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Composition
An original work.
Instrumentation
Amplified clarinet and electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
7:52
URL
<a href="https://seamusonline.org/work/cherry-blossom-and-a-wrapped-thing-after-hokusai/">SEAMUS Database</a><br /><a href="https://www.judithshatin.com/cherry-blossom-and-a-wrapped-thing/">Shatin's website</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Cherry Blossom and a Wrapped Thing; After Hokusai</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/671">Judith Shatin</a>
Description
An account of the resource
Inspired by a subtle print by Hokusai, this piece was commissioned by F. Gerard Errante, for his CD 'Delicate Balance.'<br /><br /><em>Cherry Blossom and a Wrapped Thing: After Hokusai</em> was inspired by a print of the same name by the extraordinary Japanese printmaker known as Hokusai (1760 – 1849). I encountered it in a sumptuous collection of his prints in Tokyo and was immediately struck by the subtle mystery of both its subject matter and execution. The cherry blossom speaks of the beauty and brevity of life; the wrapped thing of its ineffability. My compositional response is scored for amplified clarinet and multichannel audio. The electronics were made from cuttings of a previous piece commissioned by clarinetist F. Gerard Errante, to whom the piece is dedicated. They have been transformed into an entirely different form and take root in new ways, wrapping around the performer and audience, sometimes drifting to earth, sometimes floating above. The sound processing and multi-channel audio path were designed using RTcmix. F. Gerard Errante commissioned the piece for his Delicate Balance CD, available on Aucourant Records. –JS