COMPEL Omeka Dev

Browse Items (868 total)

  • This piece uses a normal midi capable keyboard, then rescales the input to 40 pitches per octave. For the ease of the performer, standard notation is used as a kind of tablature; the written note corresponds to how it’s played rather than how it sounds.

  • Dreams Unwind, for piano and live, interactive electronics was composed for pianist Keith Kirchoff as part of the 2016 SPLICE summer institute. This piece is a reflection on feelings of disillusionment, and how things may have diverged from the path we thought we were walking. Never really finding resolution, the piece walks the line between hopeful optimism and mocking contempt, leaving us with the feeling of looking towards an uncertain future.

  • 7 distinct taped segments, recorded from an EMS "Putney" VCS 3 synthesizer. Premiered September 27, 1973 by the University of Denver Woodwind Quintet. Additional performances at the University of North Carolina-Chapel Hill.

  • Recorded from a Casio 1000-P synthesizer, the work is in 3 movements.

  • In 4 movements. Based upon the composer’s Innerchange I (1974), for viola and electronic piano. Premiered University of Denver, May 21, 1984, David Genova, piano; Composer, synthesizer (Casio 1000-P).

  • Recorded from a Casio 1000-P synthesizer. Based upon earlier Innerchange works. Premiered Community College of Aurora, April 14, 1985, Thomas E. Noonan, guitar.

  • Recorded from a Roland SH-101 synthesizer. Work is in 6 movements. Written for, and recorded by, Harry R. Gee, Indiana State University.

  • Community College of Aurora Commission, first aired on Aurora Public Television (KACT, Channel 28), Spring, 1986.

  • Premiere: Electronic Music Marathon, Center for the Visual Arts (Boulder, CO), November 8, 1986. Work is an arrangement of the third movement of the composer’s Series Two (1976), for solo Bb clarinet.

  • Musical, scored for live Yamaha DSR-2000 synthesizer

    University of Denver Theatre Program commission. Composed as a musical to the 1958 Brendan Behan play. A variety of song and dance numbers plus a 30-minute, electronically-sequenced prelude and interlude. Opened at the University of Denver, May 12, 1988, Susan Romaine Tobiska, Director; Composer, synthesizer. Also available is a 2:37 prelude excerpt plus a recording on synthesizer by the composer of selected songs.
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2

If you see an error or would like to add content to COMPEL, please leave a comment or contact Hollis Wittman at hollisw@vt.edu.