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              <text>Voice: &lt;a href="https://compel-dev.vtlibraries.net/items/show/28"&gt;&lt;em&gt;now our grief is put away &lt;/em&gt;(2010)&lt;/a&gt;&lt;br /&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;a href="https://compel-dev.vtlibraries.net/items/show/25"&gt;&lt;em&gt;The Lightning Field &lt;/em&gt;(2014)&lt;/a&gt;</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/122"&gt;&lt;em&gt;Live in the Moment; Live in the Breath &lt;/em&gt;&lt;/a&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/122"&gt;(2015) &lt;/a&gt;&lt;br /&gt;</text>
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              <text>Acclaimed as one of the “contemporary masters of the medium” by MIT Press’s Computer Music Journal, Elainie Lillios creates works that reflect her fascination with listening, sound, space, time, immersion, and anecdote. Her compositions include stereo, multi-channel, and Ambisonic fixed media works, instrument(s) with live electronics, collaborative experimental audio/visual animations, and installations. &lt;br /&gt;&lt;br /&gt;Elainie’s work has been recognized internationally and nationally through awards, grants, and commissions, including a 2020 Johnston Foundation for New Music commission, 2018 Fromm Foundation commission, 2016 Barlow Endowment commission, and 2013 Fulbright Scholar Award. She won First Prize in the Concours Internationale de Bourges, Areon Flutes International Composition Competition, Electroacoustic Piano International Competition, and Medea Electronique “Saxotronics” Competition. She has also received awards from the Destellos International Electroacoustic Competition, Concurso Internacional de Música Electroacústica de São Paulo, Concorso Internazionale Russolo, Pierre Schaeffer Competition, and others. &lt;br /&gt;&lt;br /&gt;She has received grants/commissions from INA/GRM, Rèseaux, International Computer Music Association, La Muse en Circuit, New Adventures in Sound Art, ASCAP/SEAMUS, LSU’s Center for Computation and Technology, Sonic Arts Research Centre, Ohio Arts Council, and National Foundation for the Advancement of the Arts. She has been a featured guest at the Groupe de Recherche Musicales, Rien à Voir, festival l’espace du son, June in Buffalo, and SPLICE Institute 2015, among others. Her keynote appearances include the 2021 International Computer Music Conference, 2021 Society of Composers Incorporated Student National Conference, and 2020 National Student Electronic Music Event. She has also presented numerous guest lectures and workshops throughout the United States and abroad. &lt;br /&gt;&lt;br /&gt;Reviews of Elainie’s compact disc Entre Espaces (available on Empreintes DIGITALes at electrocd.com) praise her work for being “... elegantly assembled, and immersive enough to stand the test of deep listening” and as “...a journey not to be missed.” Other works are published by Centaur, Innova, MSR Classics, Ravello, StudioPANaroma, Musiques et recherches, La Muse en Circuit, New Adventures in Sound Art, SEAMUS, Irritable Hedgehog and Leonardo Music Journal. Elainie serves as Professor of Creative Arts Excellence and Coordinator of Music Technology at Bowling Green State University in Ohio and as Director of Composition Activities for SPLICE Institute. (www.splicemusic.org) elillios.com</text>
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              <text>Frank Ekeberg is a transdisciplinary artist, music composer and researcher working in the intersection of art, science and technology. His work explores issues of ecology, time, spatiality and transformation, with a particular focus on nature spaces, ecosystems and the interplay between human and non-human worlds. His research-based approach often involves collaborations within as well as beyond the art field. Ekeberg has composed and designed sound for concert performance, dance, film, theater, radio plays and intermedia installations, and his work is widely presented in festivals, exhibitions, concerts and conferences around the world. &lt;br /&gt;&lt;br /&gt;He was awarded the 2017 Smithsonian Artist Research Fellowship, and is currently Research Associate at the Smithsonian National Museum of Natural History in Washington D.C., USA. Frank Ekeberg received an undergraduate degree in music from the Norwegian University of Science and Technology (NTNU) before he went on to pursue a master's degree in electronic music at Mills College in Oakland, California, where he studied composition with Pauline Oliveros and Alvin Curran, and a PhD in electroacoustic music composition at City University London, UK, under Denis Smalley and Simon Emmerson’s tutelage.</text>
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