COMPEL Omeka Dev

Browse Items (96 total)

  • The piece explores alternative ways of knowing bodies—both human and non-human—through hacking biomedical technology for musical expression. The instrument consists of a modified stethoscope whose signal routes to a microphone, then to an amplifier, then to a transducer.

  • This is second work created for the Tweeter telematic musicking platform developed in response to the COVID-19 pandemic

  • This piece explores intermedia expressions via real-time performance forces through data-driven instruments

  • This piece shows two interfaces ( Electronic_Khipu_ and Kanchay_Yupana//) inspired by pre-colonial Andean technologies, made invisible by the processes of colonization of Abya Ayala; The Khipu is an ancient textile computer used for the processing and transmission of information encrypted in knots; the Yupana, is a tangible calculator based on the placement of seeds on boards divided into boxes used to perform arithmetic operations.

  • Ear to Waipapa Taumata Rau’ is a live-coding performance by performers from two different continents remotely exploring the sonic components of Waipapa Taumata Rau.

  • (Un)real-time is a gestural performance for video telling the story through sound and movement of our past, present, and future relationship with technology.

  • The duo of Nicola L. Hein and Axel Dörner perform with an extended pallet of sounds and techniques, multichannel electronics as well as the cybernetic interaction between human musicians and artificial intelligence.

  • ScoreCraft is a multiplayer music game exploring online music making mediated through gameplay. Each player controls the game by producing sounds, so effectively by playing the game the players are making music.
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2

If you see an error or would like to add content to COMPEL, please leave a comment or contact Hollis Wittman at hollisw@vt.edu.