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Regreso a la tierra (Return to the land)
This piece shows two interfaces ( Electronic_Khipu_ and Kanchay_Yupana//) inspired by pre-colonial Andean technologies, made invisible by the processes of colonization of Abya Ayala; The Khipu is an ancient textile computer used for the processing and transmission of information encrypted in knots; the Yupana, is a tangible calculator based on the placement of seeds on boards divided into boxes used to perform arithmetic operations. -
Raphael Radna
Raphael Radna is a composer of acoustic and electronic music whose works embrace unconventional compositional strategies and new technologies. His music has been performed in concerts, festivals, and conferences across the United States and in Japan, including at the International Computer Music Conference, the New York Electroacoustic Music Festival, the California Electronic Music Exchange Concerts, the UCSB Summer Music Festival, and the Osaka University of Arts Electroacoustic Music Festival. Raphael is currently pursuing a PhD in Music Composition at UC Santa Barbara, where he studies with João Pedro Oliveira and Curtis Roads. -
Proof of Identity
The piece deconstructs a piece of traditional Iranian music and puts it through multi-layered transformations to produce entirely new sonic material -
Projections
Projections was composed for American Music Theatre Project at Northwestern University and the University of California at Davis Department of Theatre & Dance production {re: CLICK], a digital performance in response to the play “Click” by Jacqueline Goldfinger. The fundamental questions explored in the play, as well as my piece are: What is my body in the Internet? What does post-traumatic growth look like in the digital age? Who tells your story? With this piece, I’ve expressed these questions and answers sonically, in an abstract sound-world of pedestrian, concrete, and artificial sounds. -
Prelude
Live Synclavier piece recorded January 12, 1980.