Browse Items (868 total)

• Take a Place in the Light

  Acousmatic Work

• Shadows

  Based upon selected words by David Trinidad and Tim Dlugos. Premiered at the University of Colorado-Denver, March 24, 1995. Additional performances at the Community College of Aurora and Colorado College.

• The Hostage

  Musical, scored for live Yamaha DSR-2000 synthesizer
  
  University of Denver Theatre Program commission. Composed as a musical to the 1958 Brendan Behan play. A variety of song and dance numbers plus a 30-minute, electronically-sequenced prelude and interlude. Opened at the University of Denver, May 12, 1988, Susan Romaine Tobiska, Director; Composer, synthesizer. Also available is a 2:37 prelude excerpt plus a recording on synthesizer by the composer of selected songs.

• Star Chant

  Premiere: Electronic Music Marathon, Center for the Visual Arts (Boulder, CO), November 8, 1986. Work is an arrangement of the third movement of the composer’s Series Two (1976), for solo Bb clarinet.

• Class Notes

  Community College of Aurora Commission, first aired on Aurora Public Television (KACT, Channel 28), Spring, 1986.

• Aeolian Suite: To H.R.G.

  Recorded from a Roland SH-101 synthesizer. Work is in 6 movements. Written for, and recorded by, Harry R. Gee, Indiana State University.

• Innerchange III: To T.E.N.

  Recorded from a Casio 1000-P synthesizer. Based upon earlier Innerchange works. Premiered Community College of Aurora, April 14, 1985, Thomas E. Noonan, guitar.

• Innerchange II: To D.G.

  In 4 movements. Based upon the composer’s Innerchange I (1974), for viola and electronic piano. Premiered University of Denver, May 21, 1984, David Genova, piano; Composer, synthesizer (Casio 1000-P).

• Series One: Variations - To T.T.L.

  Recorded from a Casio 1000-P synthesizer, the work is in 3 movements.

• Music for Six Instruments and Prepared Tape

  7 distinct taped segments, recorded from an EMS "Putney" VCS 3 synthesizer. Premiered September 27, 1973 by the University of Denver Woodwind Quintet. Additional performances at the University of North Carolina-Chapel Hill.