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Subject to Fits - Opera
Incidental Music. A score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). -
Subject to Fits - "Natasha's Song"
Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). -
Subject to Fits - "Myshkin" (without voice)
Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). -
Subject to Fits - "Myshkin and Chorus" (without voice)
Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). -
Subject to Fits - "Myshkin and Chorus" (with voice)
Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander (soundtrack, 6 separate pieces). -
Subject to Fits - "Aglaya"
Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). -
Study for Vox Inhumana
Study for Vox Inhumana (2000) is a brief exploration of the sound world that is to form the basis for a series of larger and varied works that combine vocal sounds (non-singing) with each other (tape compositions and works for vocal improvisation ensemble), with instruments, and with combinations of live vocal and instrumental sounds with both recorded and interactive computer elements. The human voice is the most varied instrument of all, and its rich soundfield has yet to be tapped fully – in fact it may never be. The sounds in this recording were produced and recorded by the composer, representing only one of thousands of vocal treasuries. The piece uses Csound and sound editing software to combine collage techniques with grooves and other devices. The structure is at times controlled and at times rhapsodic, reflecting the moods and bends of the creative (snapped) mind of its composer. -
STRING 1
A year's worth of recordings of electroacoustic music using sounds from everywhere. STRING 1 represents a full twelve months of creating electro/acoustic pieces and beds that I then layered and edited together into one single piece. My concern is making something that is continually interesting to the ear. I followed Luc Ferrari’s lead in building and moving, always toward new ideas. STRING tries mostly to manipulate timbre and space, creating the listened to sounds. -
Storyland
A Creepy trip to the Zoo