Browse Items (868 total)

• Innerchange II: To D.G.

  In 4 movements. Based upon the composer’s Innerchange I (1974), for viola and electronic piano. Premiered University of Denver, May 21, 1984, David Genova, piano; Composer, synthesizer (Casio 1000-P).

• Innerchange III: To T.E.N.

  Recorded from a Casio 1000-P synthesizer. Based upon earlier Innerchange works. Premiered Community College of Aurora, April 14, 1985, Thomas E. Noonan, guitar.

• Aeolian Suite: To H.R.G.

  Recorded from a Roland SH-101 synthesizer. Work is in 6 movements. Written for, and recorded by, Harry R. Gee, Indiana State University.

• Class Notes

  Community College of Aurora Commission, first aired on Aurora Public Television (KACT, Channel 28), Spring, 1986.

• Star Chant

  Premiere: Electronic Music Marathon, Center for the Visual Arts (Boulder, CO), November 8, 1986. Work is an arrangement of the third movement of the composer’s Series Two (1976), for solo Bb clarinet.

• The Hostage

  Musical, scored for live Yamaha DSR-2000 synthesizer
  
  University of Denver Theatre Program commission. Composed as a musical to the 1958 Brendan Behan play. A variety of song and dance numbers plus a 30-minute, electronically-sequenced prelude and interlude. Opened at the University of Denver, May 12, 1988, Susan Romaine Tobiska, Director; Composer, synthesizer. Also available is a 2:37 prelude excerpt plus a recording on synthesizer by the composer of selected songs.

• Shadows

  Based upon selected words by David Trinidad and Tim Dlugos. Premiered at the University of Colorado-Denver, March 24, 1995. Additional performances at the Community College of Aurora and Colorado College.

• Take a Place in the Light

  Acousmatic Work

• Bind Up My Wounds

  Acousmatic Work
  
  Bind Up My Wounds, for fixed media, is an adaption of a piece originally written for an interactive dance collaboration. The work is centered around a monologue taken from Shakespeare’s “Richard III,” in which the main character, King Richard, reflects on the various acts he has committed to achieve his throne. Using this text, the work attempts to create a narrative that examines the human conscience, and one’s own awareness of it. The monologue is split into several sections, meant to depict both Richard’s consciousness as well as the external pressures and commentaries that drive his actions.

• A Natural Perspective

  Dance Collaboration