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Séquence et Vitesse
Interactive audio and visuals -
Random Access
The title Random Access reflects the process used with random access memory (RAM) in computer hardware, where all incoming data can be stored and small chunks of data can be retrieved regardless of the order in which it was stored. Similarly, in Random Access all of the input from the live saxophonist is stored in the computer’s RAM. As the piece progresses, short samples of the performer are retrieved and reordered to create new contrapuntal lines. The piece begins with a simple duet between the live saxophone and the reordered material, but gradually evolves to large orchestra of sampled saxophones. While the title may imply that the retrieval process is random, it is anything but random; the input from the saxophone is precisely scripted and all electronic sounds created live. -
Unstrung
Acousmatic Work
As a guitarist, I spend what seems like an inordinate amount of time changing strings. Unlike those found on a bowed string instrument, guitar strings are relatively brittle and need to be changed often. While spending countless hours going through the familiar ritual, I became interested in the sound world created through the act of clipping and removing strings from a guitar. These sounds were both alien and somehow instantly recognizable, the product of an instrument being manipulated in a way that is seldom seen in a performance setting. In part, this opposition is created by the dual nature of the act itself, being both destructive and violent in the removal of the strings, as well as promising renewed creation with the installation of new ones. “Unstrung” utilizes recordings of a steel string acoustic guitar to explore all manner of unexpected and peculiar sounds created through the process of changing strings. -
A Natural Perspective
Dance Collaboration -
Bind Up My Wounds
Acousmatic Work
Bind Up My Wounds, for fixed media, is an adaption of a piece originally written for an interactive dance collaboration. The work is centered around a monologue taken from Shakespeare’s “Richard III,” in which the main character, King Richard, reflects on the various acts he has committed to achieve his throne. Using this text, the work attempts to create a narrative that examines the human conscience, and one’s own awareness of it. The monologue is split into several sections, meant to depict both Richard’s consciousness as well as the external pressures and commentaries that drive his actions. -
Take a Place in the Light
Acousmatic Work -
Shadows
Based upon selected words by David Trinidad and Tim Dlugos. Premiered at the University of Colorado-Denver, March 24, 1995. Additional performances at the Community College of Aurora and Colorado College. -
The Hostage
Musical, scored for live Yamaha DSR-2000 synthesizer
University of Denver Theatre Program commission. Composed as a musical to the 1958 Brendan Behan play. A variety of song and dance numbers plus a 30-minute, electronically-sequenced prelude and interlude. Opened at the University of Denver, May 12, 1988, Susan Romaine Tobiska, Director; Composer, synthesizer. Also available is a 2:37 prelude excerpt plus a recording on synthesizer by the composer of selected songs. -
Star Chant
Premiere: Electronic Music Marathon, Center for the Visual Arts (Boulder, CO), November 8, 1986. Work is an arrangement of the third movement of the composer’s Series Two (1976), for solo Bb clarinet.