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Edu Meneses
Edu Meneses is a music technologist, digital luthier, composer, and performer in the best interdisciplinary fashion.
A Ph.D. in music technology at McGill University (IDMIL and CIRMMT), Edu is currently a researcher-developer at the Société des Arts Technologiques (SAT). He works with embedded systems for digital musical instruments (Linux/Rpi and ESP32) and sound spatialization, leading research-creation projects with product development and art-oriented usability evaluation.
Some of his projects include Puara, the GuitarAMI, the T-Stick, Probatio, Latency/communication in digital musical instruments, and Le Vivier Mobile. These projects explored gestural control of sound systems, DSP, mapping (including sound spatialization), instrument/installation design, and of course, music composition/performance. -
ANU Laptop Ensemble
The ANU Laptop Ensemble (LENS) was formed in 2018 as a collaborative effort between academics and students at The Australian National University. Since 2019, the group has reformed yearly as a "Special Topics in Computing" course inviting students from computer science, music, visual art, and digital humanities to come together and create ensemble music with computers. -
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CAVI
This instrument uses deep learning to generate its control signals based on muscle and motion data of the performer’s actions. The generated control signals automate the live sound processing based on layered time-based effects modules. -
GSequencer
Audio/MIDI Sequencer with piano roll -
Post-Apocalyptic Biscuit
Post-Apocalyptic Biscuit, jawbreaker, sea biscuit or Hardtack as it was commonly known. This biscuit, made of three ingredients was rationed out to soldiers in the American Civil War as well as other soldiers and sailors in various Countries throughout history. It will last a very long time, at least 20 years. This was what there was left to eat after the apocalypse.
“Post-Apocalyptic Biscuit” (2020) is for Buchla 200, Electric Music Easel, Voice, and a variety of post-processing digital algorithmic plug-ins. The work is my response to the Strange Times that we are living through; especially the dark political tragedies playing out around the world, along with the horrific pandemic, and the subsequent self-isolation that we must all endure; a cautionary tale. The structure of the work follows this pattern of variants:
“Post-Apocalyptic Biscuit” (8:12)
Variants: I , III, IV, VI, VII, IX
Watchtower
Cathedral of the Winds
Wailing at the Wall
Bones
Klangs & Drones
Reminiscence