86 10 868 Person An individual. Role Creator URL <a href="http://www.centerforvisualmusic.org/Belson/">Center for Visual Music</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jordan Belson Description An account of the resource Videographer Person An individual. Role Composer Performer Composer of <div class="element-text"><a href="https://compel-dev.vtlibraries.net/items/show/949">VolcaBeatsJam Day #326!</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Diego Perez-Cuellar http://compel-dev.vtlibraries.net/files/original/11a0173443a14d1e9f3c20005509b342.png b00fd28bc1f5e0ca40be37a974fbc19d Person An individual. Role Composer Performer Composer of <a href="https://compel-dev.vtlibraries.net/items/show/951">Particle Forge (2019)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Ben Fuhrman http://compel-dev.vtlibraries.net/files/original/16cf9493be7e6843e05d53239fbb2783.png b00fd28bc1f5e0ca40be37a974fbc19d Person An individual. Role Composer Performer Composer of <a href="https://compel-dev.vtlibraries.net/items/show/953">Improvisation (2023)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Molly Jones Group One or more Persons with an established name. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bent Frequency Description An account of the resource Bent Frequency, ensemble in residence at Georgia State University, is a professional contemporary music ensemble based in Atlanta. Hailed as “one of the brightest new music ensembles on the scene today” by Gramophone magazine, Bent Frequency engages an eclectic mix of the most adventurous and impassioned players from the greater Atlanta area. Founded in 2003, Bent Frequency (BF) brings the avant-garde to life through adventurous and socially conscious programming, cross-disciplinary collaborations, and community engagement. One of BF’s primary goals is championing the work of historically underrepresented composers - music by women, composers of color, and LGBTQIA+. Its programming, educational outreach, and community events aim to be inclusive of the diverse and dynamic community they are a part of. BF does not have a fixed instrumentation. Instead it is a modular group that is flexible enough to present everything from large-scale chamber concerts to smaller, more intimate performances. We have collaborated with some of the most ground-breaking composers working today and have produced large-scale events such as Ricardo Zohn-Muldoon’s chamber opera Comala at the International Cervantino Festival and Fiestas de Octubre in Mexico, Juan Trigos’ fully staged chamber opera DeCachetitoRaspado, Jennifer Walshe’s Barbie opera XXX_Live_Nude_Girls!!! and have held 3-day festivals celebrating the music of Steve Reich on the occasion of his 70th birthday and a Festival of New Music from Mexico. BF has appeared as ensemble-in-residence at the Tage Aktueller Musik in Nürnberg, Sam Houston State New Music Festival, Charlotte New Music Festival, New Music on the Point in Vermont and at the University of Georgia. In 2013, BF created the Bent Frequency Duo Project (Jan Berry Baker and Stuart Gerber). Together, they have commissioned over 30 new works for saxophone and percussion and have given countless performances across the USA, Mexico, and Europe. They have recently released their debut CD, Diamorpha, on the Centaur Label featuring a number of these new works. BF has been awarded numerous prestigious and competitive governmental and foundational grants to fund the creation and promotion of New Music. Recent awards include the French American Cultural Exchange (FACE), Barlow Foundation, Georgia Council for the Arts, Copland Foundation, Fulton County Arts Council, Mayor’s Office of Cultural Affairs, Mid Atlantic Arts Foundation (National Endowment for the Arts and the Andrew Mellon Foundation), and Culture Ireland to name a few. Bent Frequency has partnered with many ensembles, dance groups, and visual artists in creating unique productions. Recent collaborations include producing Zohn-Muldoon’s Comala with PUSH Physical Theater, a John Cage MUSICIRCUS in celebration of the centenary of Cage’s birth with the Goat Farm Arts Center, Atlanta Poet’s group and visual artist Craig Dongoski, and multiple performances with CORE Performance Company including two, three-night series events entitled On Love and Secret at the Callanwolde Arts Center. Always looking for new ways to present music to reach as wide an audience as possible, Bent Frequency has performed in traditional concert halls, art museums, galleries, bike trails and even on the Atlanta Streetcar! Person An individual. Role Composer Biographical Text Miles Jefferson Friday is currently a doctoral candidate in music composition at Cornell University where he studies primarily with Marianthi Papalexandri-Alexandri and Kevin Ernste. Miles holds a MA in composition from the Eastman School of Music where he studied with Oliver Schneller and conducted his graduate research under Robert D. Morris. He also holds a BM from the Indiana University Jacobs School of Music. Miles has had his works presented at festivals such as the 11th International Young Composers Academy in Tchaikovsky-city, IRCAM’s ManiFeste Académie, the SinusTon Electronic Music Festival, the ilSUONO Contemporary Music Week, the Thailand New Music and Arts Symposium, the St. Petersburg International New Music Festival “reMusik.org”, the Grafenegg Ink Still Wet Festival, June in Buffalo, the Red Note New Music Festival, the Society for Electro-Acoustic Music in the United States (SEAMUS) Conference, the New York City Electroacoustic Music Festival (NYCEMF), the National Student Electronic Music Event (NSEME), the Splice Institute, the Music and Movement Conference at the University of Pittsburgh, precept.concept.percept., the Twisted Spruce Guitar and Composition Symposium, and others. Miles has won awards and honors including the ASCAP Morton Gould Young Composer Award, the Twisted Spruce Symposium Composition Competition Prize, the Otto R. Stahl Memorial Award, the Wayne Brewster Barlow Prize, the Kuttner String Quartet Composition Competition, and the Robert Avalon Young Composer Competition. Miles has served as an instructor and graduate teaching assistant for courses on music composition, computer and electronic music, music theory, and music history (after 1945) at Cornell University, the Eastman School of Music, the University of Rochester Pre-College, and the Eastman Community Music School. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Miles Jefferson Friday Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="http://compel-dev.vtlibraries.net/items/show/955">Miles Jefferson Friday</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource All the little spots in its Geography Description An account of the resource The majority of ""All the little spots in its Geography"" is, with a few exceptions, formed to create one large, constantly evolving drone. All electronics are made in SuperCollider and are either produced by DSP or built from sine tones (deployed in small clusters to produce acoustic beatings or in large, granulated pitch arrays to produce difference tones and other otoacoustic emissions). The practice of listening is emphasized throughout the piece to construct a feedback loop (both symbolic and literal) between instrumental output and aural input. Other otoacoustic emissions and phenomena, such as acoustic beatings and difference tones, are emphasized to openly explore the possibilities, boundaries, ambiguities, tensions, and otherwise otherworldly conditions of their production. ""All the little spots in its Geography"" aims to collapse the boundary between instruments and ears. Person An individual. Role Composer Biographical Text Peter Van Zandt Lane is an American composer of instrumental and electroacoustic concert music. Recipient of the 2018 Charles Ives Fellowship from the American Academy of Arts and Letters, Peter has received fellowships from Copland House, Composers Now, Yaddo, and MacDowell Colony. Recent works include Radix Tyrannis, a concerto for Joseph Alessi commissioned by American Chamber Winds, Piano Quartet: The Longitude Problem commissioned by the Atlanta Chamber Players, and Chamber Symphony commissioned by the Barlow Endowment for EQ Ensemble (Boston). His electroacoustic ballet for Juventas Ensemble (Boston) and the People Movers Contemporary Dance (Brooklyn), HackPolitik, was a New York Times Critic’s Pick, praised for “exploring anarchy and activism in a refreshingly relevant way.” Peter holds degrees from Brandeis University and the University of Miami Frost School of Music, and is currently Associate Professor of Composition at the University of Georgia Hugh Hodgson School of Music in Athens, Georgia. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Peter Van Zandt Lane Person An individual. Role Composer Biographical Text Frank Ekeberg is a transdisciplinary artist, music composer and researcher working in the intersection of art, science and technology. His work explores issues of ecology, time, spatiality and transformation, with a particular focus on nature spaces, ecosystems and the interplay between human and non-human worlds. His research-based approach often involves collaborations within as well as beyond the art field. Ekeberg has composed and designed sound for concert performance, dance, film, theater, radio plays and intermedia installations, and his work is widely presented in festivals, exhibitions, concerts and conferences around the world. He was awarded the 2017 Smithsonian Artist Research Fellowship, and is currently Research Associate at the Smithsonian National Museum of Natural History in Washington D.C., USA. Frank Ekeberg received an undergraduate degree in music from the Norwegian University of Science and Technology (NTNU) before he went on to pursue a master's degree in electronic music at Mills College in Oakland, California, where he studied composition with Pauline Oliveros and Alvin Curran, and a PhD in electroacoustic music composition at City University London, UK, under Denis Smalley and Simon Emmerson’s tutelage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frank Ekeberg Person An individual. Role Composer Biographical Text Jeff Herriott is a composer whose music focuses on sounds that gently shift and bend at the edges of perception. His works, which often include interaction between live performers and electronic sounds, have been described as “colorful...darkly atmospheric” (New York Times) and “incredibly soft, beautiful, and delicate” (Computer Music Journal). Jeff is a recipient of grants and awards from the McKnight Foundation, the Barlow Endowment for Music Composition, the MATA Festival, and the American Music Center, and his music has been released on the Innova, New Focus, Albany, Centaur, and SEAMUS labels. In addition to his concert music, Jeff has composed score and soundtrack music for the recent films, Bone Tomahawk, Brawl in Cell Block 99, and Dragged Across Concrete, the latter two of which both premiered at the Venice Film Festival. He is also a member of and composer for bands working in diverse styles, including the heavy metal outfit, Realmbuilder, and the sleepy rock duo, Bell Monks. Jeff is a Professor of Music at the University of Wisconsin at Whitewater, where he coordinates the Media Arts and Game Development Program. https://jeffherriott.com/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeff Herriott