85 10 868 Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coalesce Description An account of the resource Revolving around a brief video of a dead leaf fluttering in the wind, coalesce; is a visual and auditory piece, inviting the audience to enter a world of evolution. The piece shifts as a living creature changing through life, beginning with lo-fi visuals and ambient sounds to a gradually more structured presentation. Ableton Live 10 was used to record and manipulate ambient sounds, vocals, and acoustic violin as performed by the composer. Max 8 code programmed for the project was then linked up to Live to generate and synchronize the manipulation of video effects and the auditory component. Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Tammy Ray Biographical Text Tammy Ray is a junior at Transylvania University on track to a music technology degree. She plays violin and is currently learning piano, both of which have helped her create music for the university’s theatre program and for music pieces with friends. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tammy Ray Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Projections Description An account of the resource Projections was composed for American Music Theatre Project at Northwestern University and the University of California at Davis Department of Theatre &amp; Dance production {re: CLICK], a digital performance in response to the play “Click” by Jacqueline Goldfinger. The fundamental questions explored in the play, as well as my piece are: What is my body in the Internet? What does post-traumatic growth look like in the digital age? Who tells your story? With this piece, I’ve expressed these questions and answers sonically, in an abstract sound-world of pedestrian, concrete, and artificial sounds. Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Kory Reeder Role Composer Biographical Text Kory Reeder’s music is often introspective and atmospheric, investigating ideas of objectivity, place, immediacy, situation, and interaction. Kory’s music has been performed in concerts and festivals across North and South America, Asia, Australia, and Europe and recognized by The Kennedy Center American College Theater Festival, ASCAP, ACSM 116 (Tokyo), and Festival Stradella (Italy), among others. He has been artist-in-residence at Arts, Letter, and Numbers, The Kimmel, Harding, Nelson Center for the Arts and has been Artist in Residence in the Everglades. Kory has frequently collaborated with opera, theater, and dance programs, and his music has been released on Edition Wandelweiser Records and has been heard on the BBC. Kory is currently pursuing a PhD. in music composition at the University of North Texas, and holds a BM from the University of Nebraska at Kearney, and a MM Bowling Green State University. For more, please visit www.koryreeder.com Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Kory Reeder Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Polvere nera Description An account of the resource The totality of the acoustic material. Excavated, mutilated. Sublimated and deposited. The One that is fragmented and reduced to dust. Chalk blocks engraved and carved through the space and elasticity of time. Polvere nera is divided into four sections, bounded by sudden stops and static poses, in which there is an incessant dialogue between two opposing formal poles: bands and points. In the end the dialogue becomes union through a process of massification of the material that does not however cancel the intrinsic differences of the models employed. Polvere nera was constructed using noise, synthesis sounds and percussive sounds. Person An individual. Role Performer Biographical Text Born in Perugia, Nicola Fumo Frattegiani graduated with highest honours from D.A.M.S. (Academy of Arts, Music and Show) at the University of Bologna, with a thesis on Luigi Nono’s work “Intolleranza 1960”. Later he has advanced post-graduate degree on “The musical cultures of 1900’s” at the University of Rome “Tor Vergata”, a bachelor’s degree cum laude on “Electronic Music and New Technologies” (course electroacoustic composition) at the “Francesco Morlacchi” Conservatory of Music of Perugia and a Master’s degree cum laude and special mention for artistic merit on “Electronic Music and New Technologies” at the “Licinio Refice” Conservatory of Music of Frosinone (course digital audiovisual composition). <br /><br />His works have been presented at various national and international festivals including ICMC International Computer Music Conference, SCIMF Seoul International Computer Music Festival (South Korea), NYCEMF New York City Electroacoustic Music Festival, ICMC-NYCEMF, New Music Miami Festival ISCM, Electroacoustic Barn Dance, WSU ElectroAcousticMiniFest, Earth Day Art Model, The 15th International Gothic Association Conference, STUDIO 300 Digital Art and Music Festival, Mise-en Music Festival, 1st International Video Art Festival (USA), SMC Sound &amp; Music Computing Conference (Cyprus), Atemporánea Festival Internacional de Música Contemporánea, Foundation Destellos art, science and technology, La Hora Acusmática (Argentina), Festival Futura Mondes Parallèles, Finale Prix Russolo (France), Synchresis Festival Internacional de Arte Sonoro y Música Electroacústica (Spain), Evimus Saarbrücker Tage für elektroakustische und visuelle Musik (Germany), MUSLAB Muestra Internacional de Música Electroacústica (Brazil &amp; Mexico), Echofluxx International Festival of Experimental Film, Music, Dance and Poetry (Czech Republic), Audio Mostly a conference on interaction with sound, BFE/RMA Research Students' Conference, Convergence International Conference/Festival of Music, Technology and Ideas, Noisefloor Festival, SOUND/IMAGE Exploring Sonic and Audio-Visual Practice, Altered Images Festival (United Kingdom), 60 SEC RADIO – concours de création radio – radio art project (Canada), WOCMAT Conference NTHU International Workshop on Computer Music and Audio Tecnology (Taiwan), ICMC International Computer Music Conference, Ai-Maako XIX Festival Internacional de Música Electroacústica (Chile), ACMC Australasian Computer Music Association (Australia), XIV Festival Internacional de Musica Electroacustica y Electronica Primavera en La Habana (Cuba), Matera Intermedia Festival, Arte Scienza Festival, Diffrazioni Firenze Multimedia Festival, XXII CIM Colloquium of Musical Informatics, SMC Sound &amp; Music Computing Conference, Venice Biennale of Architecture, Soundscape of Work and of Play 9th International FKL symposium on soundscape, Anamorphsys International Experimental Festival, Moon in June, Macro Asilo Museo di arte contemporanea, Corsie Festival, Universo Assisi, Festival Periferico, Segnali Arti audiovisive e performance, Premio Nazionale delle Arti, Elettronicamente Beyond the Borders, XIII Concorso Internazionale di composizione Città di Udine, Chigiana Radioarte (Italy).<br /><br />Author and performer, his research deals with electroacoustic music, sound for images, video, art exhibition and electroacoustic compositions for contemporary theatrical performance. Nicola collaborates with many artists and performers in several productions of live electroacoustic music, with whom he experimented many types of generation and manipulation of sound dimension. He also collaborates with various recording studios and video production studios as a sound designer, sound engineer and re-recording mixer. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Nicola Fumo Frattegiani Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nicola Fumo Frattegiani Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Through the Looking Glass</em> Description An account of the resource I’ve always been fascinated by water patterns, explored in this video through the looking glass of a camera lens which takes me closer or farther than I can reach while standing on shore, wading, swimming, or paddling a canoe. The magnification that the lens provides allows me to capture what I can’t observe with my own eyes due to physical obstructions, capabilities, or disruptions in the patterns that adding my body to the water creates. The patterns are illusive, changing in an instant due to variations in wind, light, currents, distance, and/or camera angle. I wanted to capture patterns of rainfall, but the severe drought of 2015 in the San Francisco Bay Area prevented it, so the focus turned to bodies of water in and around the Bay Area. The sounds I wished to hear in these locations were very delicate but were overwhelmed by sounds of helicopters, motorcycles, trucks, cars, trains, BART, and constant planes. I transformed the sounds of these and other human generated sounds into sounds that reflected the natural environment that I captured on video. The images are just as they were captured, without processing. My earlier video Liquid Metal also focused on water patterns and the intrusion of human-created sounds into the wilds. Person An individual. Role Performer Biographical Text pianist Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chen-Hui Jen Person An individual. Role Performer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Xenia Pestova Description An account of the resource pianist Person An individual. Role Performer Biographical Text cellist Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jason Calloway