84 10 868 Person An individual. Role Composer Biographical Text Frank Ekeberg is a transdisciplinary artist, music composer and researcher working in the intersection of art, science and technology. His work explores issues of ecology, time, spatiality and transformation, with a particular focus on nature spaces, ecosystems and the interplay between human and non-human worlds. His research-based approach often involves collaborations within as well as beyond the art field. Ekeberg has composed and designed sound for concert performance, dance, film, theater, radio plays and intermedia installations, and his work is widely presented in festivals, exhibitions, concerts and conferences around the world. He was awarded the 2017 Smithsonian Artist Research Fellowship, and is currently Research Associate at the Smithsonian National Museum of Natural History in Washington D.C., USA. Frank Ekeberg received an undergraduate degree in music from the Norwegian University of Science and Technology (NTNU) before he went on to pursue a master's degree in electronic music at Mills College in Oakland, California, where he studied composition with Pauline Oliveros and Alvin Curran, and a PhD in electroacoustic music composition at City University London, UK, under Denis Smalley and Simon Emmerson’s tutelage. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Frank Ekeberg Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="http://compel-dev.vtlibraries.net/items/show/954">Bent Frequency </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource I stood on the shore and looked up at the birds Description An account of the resource Ten years before composing "I stood on the shore and looked up at the birds", I composed my Trio, for violin, piano, and percussion (plus electronics) for Toronto’s Arraymusic Ensemble. I developed several important compositional practices during my work on that piece that I still employ today, one of which is my approach to combining electronic sounds with live performers. In my Trio, the electronics are fairly sparse, consisting entirely of a few sustained tones that support the instrumentalists and help to define the formal structure. Although electronics are often more significantly audible in many of my works, the relationship between performers and electronic sounds, which places a more significant emphasis on the acoustic sounds made by performers, has remained fairly consistent. I composed the Trio at an important transitional period in my life, right as I started my first academic position and shortly after getting married and finishing my Ph.D. For whatever reason, I found myself thinking about that time and composing the Trio while I was working on I stood on the shore and looked up at the birds, and so as a kind of homage to myself I decided to blatantly rip off the technique I first developed for the Trio of dropping in a couple of sustained sounds to help differentiate form. I stood on the shore and looked up at the birds was composed in fall/ winter 2013-14. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/962">Jeff Herriott</a> Person An individual. Role Composer Biographical Text Jeff Herriott is a composer whose music focuses on sounds that gently shift and bend at the edges of perception. His works, which often include interaction between live performers and electronic sounds, have been described as “colorful...darkly atmospheric” (New York Times) and “incredibly soft, beautiful, and delicate” (Computer Music Journal). Jeff is a recipient of grants and awards from the McKnight Foundation, the Barlow Endowment for Music Composition, the MATA Festival, and the American Music Center, and his music has been released on the Innova, New Focus, Albany, Centaur, and SEAMUS labels. In addition to his concert music, Jeff has composed score and soundtrack music for the recent films, Bone Tomahawk, Brawl in Cell Block 99, and Dragged Across Concrete, the latter two of which both premiered at the Venice Film Festival. He is also a member of and composer for bands working in diverse styles, including the heavy metal outfit, Realmbuilder, and the sleepy rock duo, Bell Monks. Jeff is a Professor of Music at the University of Wisconsin at Whitewater, where he coordinates the Media Arts and Game Development Program. https://jeffherriott.com/ Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jeff Herriott Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Plasticine Description An account of the resource Plasticine explores the organic and gestural aspects as well as the semi-chaotic and generative possibilities afforded by modular synthesis, specifically the Eurorack format, in the context of electroacoustic composition. The plasticity and malleability of sound, space, and motion is a central theme to the composition. The piece focuses on the juxtaposition of abstract synthesized sounds and natural sound textures. Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/964">Timothy Moyers Jr.</a> Person An individual. Role Composer Biographical Text Timothy Moyers Jr. is a composer and audio-visual artist originally from Chicago. He is currently an Assistant Professor of Music Theory and Composition at the University of Kentucky and supervises the Electroacoustic Music Studio. Prior to joining the University of Kentucky, Timothy was an Assistant Professor in the Department of Human Centered Design at IIIT-D (Indraprastha Institute of Information Technology), Delhi, India where he was the Founder & Director of ILIAD, Interdisciplinary Lab for Interactive Audiovisual Development, and GDD Lab, Game Design and Development Lab. He completed his PhD in Electroacoustic Composition from the University of Birmingham (England), an MM in New Media Technology from Northern Illinois University (USA), a BA in Jazz Performance and a BA in Philosophy from North Central College (USA). Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timothy Moyers Jr. Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="http://compel-dev.vtlibraries.net/items/show/954">Bent Frequency </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hazy Moonlight Description An account of the resource "Hazy Moonlight for soprano saxophone, percussion, and electroacoustics takes its inspiration from five haiku by poet Wally Swist: thistledown seeds the falls a full moon shatters into stars slipping through moonlight a waterthrush rushes rock to rock cloud wisps across the moon gusts of rain patter among piles of fallen leaves bracing the chill moonlight rushes in the icy river mountain laurel blossoms a luminous moth ascends into moonlight Swist’s vivid scenes depict the moon’s appearance across the seasons, creating an organic foundation for the work’s structure and soundscape. The instrumentalists’ virtuosic foray through Swist’s evocative work conjure varied images of the moon as a brilliant force, a mysterious beacon, and a luminous orb. Hazy Moonlight was commissioned by the Barlow Endowment for Music Composition at Brigham Young University for the Bent Frequency Duo, and is dedicated to both with admiration and appreciation. The haiku appear with the author’s permission and are published in Modern Haiku, The Silence Between Us (Taylorville, IL: Brooks Books, 2005), and The Windbreak Pine (Ormskirk, UK: Snapshot Press, 2016.)" Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/966">Elainie Lillios</a> Person An individual. Role Composer Biographical Text Acclaimed as one of the “contemporary masters of the medium” by MIT Press’s Computer Music Journal, Elainie Lillios creates works that reflect her fascination with listening, sound, space, time, immersion, and anecdote. Her compositions include stereo, multi-channel, and Ambisonic fixed media works, instrument(s) with live electronics, collaborative experimental audio/visual animations, and installations. Elainie’s work has been recognized internationally and nationally through awards, grants, and commissions, including a 2020 Johnston Foundation for New Music commission, 2018 Fromm Foundation commission, 2016 Barlow Endowment commission, and 2013 Fulbright Scholar Award. She won First Prize in the Concours Internationale de Bourges, Areon Flutes International Composition Competition, Electroacoustic Piano International Competition, and Medea Electronique “Saxotronics” Competition. She has also received awards from the Destellos International Electroacoustic Competition, Concurso Internacional de Música Electroacústica de São Paulo, Concorso Internazionale Russolo, Pierre Schaeffer Competition, and others. She has received grants/commissions from INA/GRM, Rèseaux, International Computer Music Association, La Muse en Circuit, New Adventures in Sound Art, ASCAP/SEAMUS, LSU’s Center for Computation and Technology, Sonic Arts Research Centre, Ohio Arts Council, and National Foundation for the Advancement of the Arts. She has been a featured guest at the Groupe de Recherche Musicales, Rien à Voir, festival l’espace du son, June in Buffalo, and SPLICE Institute 2015, among others. Her keynote appearances include the 2021 International Computer Music Conference, 2021 Society of Composers Incorporated Student National Conference, and 2020 National Student Electronic Music Event. She has also presented numerous guest lectures and workshops throughout the United States and abroad. Reviews of Elainie’s compact disc Entre Espaces (available on Empreintes DIGITALes at electrocd.com) praise her work for being “... elegantly assembled, and immersive enough to stand the test of deep listening” and as “...a journey not to be missed.” Other works are published by Centaur, Innova, MSR Classics, Ravello, StudioPANaroma, Musiques et recherches, La Muse en Circuit, New Adventures in Sound Art, SEAMUS, Irritable Hedgehog and Leonardo Music Journal. Elainie serves as Professor of Creative Arts Excellence and Coordinator of Music Technology at Bowling Green State University in Ohio and as Director of Composition Activities for SPLICE Institute. (www.splicemusic.org) elillios.com Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Elainie Lillios Person An individual. Role Performer Composer Contributor to This person was not the main creator of the artifact, but contributed some portion- for example, created video to go with an existing piece. <a href="https://compel-dev.vtlibraries.net/items/show/122">Live in the Moment; Live in the Breath </a><a href="https://compel-dev.vtlibraries.net/items/show/122">(2015) </a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sam Wells http://compel-dev.vtlibraries.net/files/original/a67f6aa55b8f5d434178193ea7e3d72e.wav 991e217ffa639303f3b3781d779f53bd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VTDITC: Hip Hop Studies at Virginia Tech Source A related resource from which the described resource is derived <a href="https://icat.vt.edu/projects/2017-2018/mini/digging-in-the-crates--hip-hop-studies-at-virginia-tech.html">Digging in the Crates: Hip Hop Studies at Virginia Tech</a> Date A point or period of time associated with an event in the lifecycle of the resource 2023-present Rights Information about rights held in and over the resource All rights belong to the creators. Sample Audio file used to create other works; may be a description or an actual file. wav preferred. File Type wav Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Break 1 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/970">Stimulator Jones</a> http://compel-dev.vtlibraries.net/files/original/1a5bec023dc88ed0360f6118533b7b1a.zip b8aa07cb8a399c8b545be9557a377bf5 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beat Battle Sample Pack Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource VTDITC: Hip Hop Studies at Virginia Tech Source A related resource from which the described resource is derived <a href="https://icat.vt.edu/projects/2017-2018/mini/digging-in-the-crates--hip-hop-studies-at-virginia-tech.html">Digging in the Crates: Hip Hop Studies at Virginia Tech</a> Date A point or period of time associated with an event in the lifecycle of the resource 2023-present Rights Information about rights held in and over the resource All rights belong to the creators. Sample Audio file used to create other works; may be a description or an actual file. wav preferred. File Type wav (zipped) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Beat Battle 2023 Full Sample Pack Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/970">Stimulator Jones</a>