81 10 868 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource NIME 2022 Music Description An account of the resource <a href="https://nime-2022.super.site/music">https://nime-2022.super.site/music</a> Publisher An entity responsible for making the resource available <a href="https://www.nime.org/">NIME conference</a> Person An individual. Composer of <div class="resource-meta media-object-section"></div> <div class="resource-meta media-object-section"> <h4><a href="https://compel-dev.vtlibraries.net/items/show/927" class="permalink">Impressions of the Pagodas</a></h4> </div> Performer of <div class="resource-meta media-object-section"> <h4><a href="https://compel-dev.vtlibraries.net/items/show/928" class="permalink">Impressions of the Pagodas @NIME 2022</a></h4> <span class="Z3988" title="ctx_ver=Z39.88-2004&amp;rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&amp;rfr_id=info%3Asid%2Fomeka.org%3Agenerator&amp;rft.title=Impressions+of+the+Pagodas+%40NIME+2022&amp;rft.identifier=https%3A%2F%2Fcompel-dev.vtlibraries.net%2Fitems%2Fshow%2F928"></span> <h4><a href="https://compel-dev.vtlibraries.net/items/show/927" class="permalink"></a></h4> </div> Role Composer Performer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Chi Wang Composition An original work. Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 8:41 Performance(s) Link to performance expressions of the composition. <a href="https://compel-dev.vtlibraries.net/items/show/931">Jon Christopher Nelson</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource And Time Unfolds Like A Flower Description An account of the resource This stereo fixed media composition explores timbrel relationships of seemingly disparate materials as they co-mingle, evolve, and transform. The real and synthetic fuse and diverge in what is, at times, a surreal soundscape. This work represents the first movement of a multi-movement acousmatic work entitled The Persistence of Time and Memory, inspired in part by Salvador Dali’s painting The Persistence of Memory as well as by contemporary theories of time and perception/cognition. Person An individual. Role Composer Biographical Text Jon Christopher Nelson (b. 1960) is currently a Professor of Composition at the University of North Texas where he is as an associate of CEMI (Center for Experimental Music and Intermedia). Nelson’s electroacoustic music compositions have been performed widely throughout the United States, Europe, Asia, and Latin America. He has been honored with numerous awards including fellowships from the Guggenheim Foundation, the National Endowment for the Arts, and the Fulbright Commission. He is the recipient of Luigi Russolo (1995), Bourges Prizes (1996, 1997, 1999, 2002 and the Euphonies d'Or prize in 2004) and the International Computer Music Association's Americas Regional Award (2012) and Music Award (2020). In addition to his electro-acoustic works, Nelson has composed a variety of acoustic compositions that have been performed by ensembles such as the New World Symphony, the Memphis Symphony, the Brazos Valley Symphony Orchestra, ALEA III, and others. He has composed in residence at Sweden's national Electronic Music Studios, the Visby International Composers Center and at IMEB in Bourges, France. His works can be heard on the Bourges, Russolo Pratella, Innova, CDCM, NEUMA, ICMC, and SEAMUS labels. Recordings can be heard at his SoundCloud page: https://soundcloud.com/jon-nelson/ Performer of <a href="https://compel-dev.vtlibraries.net/items/show/930">And Time Unfolds Like A Flower</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jon Christopher Nelson composer Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="https://compel-dev.vtlibraries.net/items/show/933">Nate Krebs</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource From Below Description An account of the resource "From Below" is a fixed media piece utilizing processed sounds from electric and hollow-bodied guitars. The composition includes a series of timbral and spatial processes to create more ethereal textures while a low drone keeps us grounded throughout. This separation between “below” and “above” is further outlined through melodies that move between and outside of the electronic processes. Person An individual. Role Composer Biographical Text Nate Krebs’ (b. 1995) music is generated from multiple fields of interest that are often related to a greater human perspective, exploring the ways it can affect people on a sociological-personal level. These interests often extend into multimedia formats, where he collaborates with other artists and filmmakers in diverse projects. As a composer, he has been recognized for several composition awards, including from NAfME, NFMC, and several Ohio regional competitions. He earned his Bachelor of Vocal Music Education from the University of Toledo while studying composition with Dr. Lee Heritage. He completed his Master of Music in Composition studying with Dr. Robert McClure, as well as his Master of Arts Administration with Dr. Christi Camper-Moore from Ohio University. Performer of <a href="https://compel-dev.vtlibraries.net/items/show/932">From Below</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Nate Krebs Composition An original work. Performance(s) Link to performance expressions of the composition. <a href="https://compel-dev.vtlibraries.net/items/show/935">Adib Ghorbani</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource What happened in Panop? Description An account of the resource This interdisciplinary project is a musical mime performance that utilizes the mime’s movements to generate sounds in real-time. For this purpose, the performer wears a glove with an embedded wireless motion sensor. The receiving data from the sensors generate real-time sounds through a MAX/MSP patch and creates the required music for the performance. Silent Music uses the mime’s body as a musical instrument and creates a particular relationship between musical events and gestures. Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Adib Ghorbani Role Musicologist Biographical Text After earning a Bachelor's degree in classical piano performance and a Master's in music composition, Adib leaves his country, Iran, for the United States to pursue his studies as a Ph.D. student in the ICIT program (Integrated Composition, Improvisation, and technology) at UC Irvine. Adib is also an actor, writer, and director who has developed his unique multidisciplinary style known as Silent Music or Electro-musical Mime by integrating theater, live music performance, sound design, and motion sensor technologies. Adib’s works span a wide variety of other genres, such as theatrical music, opera, film, contemporary music, experimental music, and free improvisation. Performer of <a href="https://compel-dev.vtlibraries.net/items/show/934">What happened in Panop?</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Adib Ghorbani Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Coalesce Description An account of the resource Revolving around a brief video of a dead leaf fluttering in the wind, coalesce; is a visual and auditory piece, inviting the audience to enter a world of evolution. The piece shifts as a living creature changing through life, beginning with lo-fi visuals and ambient sounds to a gradually more structured presentation. Ableton Live 10 was used to record and manipulate ambient sounds, vocals, and acoustic violin as performed by the composer. Max 8 code programmed for the project was then linked up to Live to generate and synchronize the manipulation of video effects and the auditory component. Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Tammy Ray Biographical Text Tammy Ray is a junior at Transylvania University on track to a music technology degree. She plays violin and is currently learning piano, both of which have helped her create music for the university’s theatre program and for music pieces with friends. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tammy Ray Composition An original work. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Projections Description An account of the resource Projections was composed for American Music Theatre Project at Northwestern University and the University of California at Davis Department of Theatre &amp; Dance production {re: CLICK], a digital performance in response to the play “Click” by Jacqueline Goldfinger. The fundamental questions explored in the play, as well as my piece are: What is my body in the Internet? What does post-traumatic growth look like in the digital age? Who tells your story? With this piece, I’ve expressed these questions and answers sonically, in an abstract sound-world of pedestrian, concrete, and artificial sounds.