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                  <text>&lt;a href="https://www.nime.org/"&gt;NIME conference&lt;/a&gt;</text>
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              <text>&lt;h4&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/915" class="permalink"&gt;Music for HASGS, Stuby 1b&lt;/a&gt;&lt;/h4&gt;</text>
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              <text>&lt;h4&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/917" class="permalink"&gt;Henrique Portovedo&lt;/a&gt;&lt;/h4&gt;</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/287"&gt;&lt;em&gt;House&lt;/em&gt;&lt;/a&gt;</text>
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              <text>Nate Krebs’ (b. 1995) music is generated from multiple fields of interest that are often related to a greater human perspective, exploring the ways it can affect people on a sociological-personal level. These interests often extend into multimedia formats, where he collaborates with other artists and filmmakers in diverse projects. As a composer, he has been recognized for several composition awards, including from NAfME, NFMC, and several Ohio regional competitions. He earned his Bachelor of Vocal Music Education from the University of Toledo while studying composition with Dr. Lee Heritage. He completed his Master of Music in Composition studying with Dr. Robert McClure, as well as his Master of Arts Administration with Dr. Christi Camper-Moore from Ohio University.</text>
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              <text>Born in Perugia, Nicola Fumo Frattegiani graduated with highest honours from D.A.M.S. (Academy of Arts, Music and Show) at the University of Bologna, with a thesis on Luigi Nono’s work “Intolleranza 1960”. Later he has advanced post-graduate degree on “The musical cultures of 1900’s” at the University of Rome “Tor Vergata”, a bachelor’s degree cum laude on “Electronic Music and New Technologies” (course electroacoustic composition) at the “Francesco Morlacchi” Conservatory of Music of Perugia and a Master’s degree cum laude and special mention for artistic merit on “Electronic Music and New Technologies” at the “Licinio Refice” Conservatory of Music of Frosinone (course digital audiovisual composition). &lt;br /&gt;&lt;br /&gt;His works have been presented at various national and international festivals including ICMC International Computer Music Conference, SCIMF Seoul International Computer Music Festival (South Korea), NYCEMF New York City Electroacoustic Music Festival, ICMC-NYCEMF, New Music Miami Festival ISCM, Electroacoustic Barn Dance, WSU ElectroAcousticMiniFest, Earth Day Art Model, The 15th International Gothic Association Conference, STUDIO 300 Digital Art and Music Festival, Mise-en Music Festival, 1st International Video Art Festival (USA), SMC Sound &amp;amp; Music Computing Conference (Cyprus), Atemporánea Festival Internacional de Música Contemporánea, Foundation Destellos art, science and technology, La Hora Acusmática (Argentina), Festival Futura Mondes Parallèles, Finale Prix Russolo (France), Synchresis Festival Internacional de Arte Sonoro y Música Electroacústica (Spain), Evimus Saarbrücker Tage für elektroakustische und visuelle Musik (Germany), MUSLAB Muestra Internacional de Música Electroacústica (Brazil &amp;amp; Mexico), Echofluxx International Festival of Experimental Film, Music, Dance and Poetry (Czech Republic), Audio Mostly a conference on interaction with sound, BFE/RMA Research Students' Conference, Convergence International Conference/Festival of Music, Technology and Ideas, Noisefloor Festival, SOUND/IMAGE Exploring Sonic and Audio-Visual Practice, Altered Images Festival (United Kingdom), 60 SEC RADIO – concours de création radio – radio art project (Canada), WOCMAT Conference NTHU International Workshop on Computer Music and Audio Tecnology (Taiwan), ICMC International Computer Music Conference, Ai-Maako XIX Festival Internacional de Música Electroacústica (Chile), ACMC Australasian Computer Music Association (Australia), XIV Festival Internacional de Musica Electroacustica y Electronica Primavera en La Habana (Cuba), Matera Intermedia Festival, Arte Scienza Festival, Diffrazioni Firenze Multimedia Festival, XXII CIM Colloquium of Musical Informatics, SMC Sound &amp;amp; Music Computing Conference, Venice Biennale of Architecture, Soundscape of Work and of Play 9th International FKL symposium on soundscape, Anamorphsys International Experimental Festival, Moon in June, Macro Asilo Museo di arte contemporanea, Corsie Festival, Universo Assisi, Festival Periferico, Segnali Arti audiovisive e performance, Premio Nazionale delle Arti, Elettronicamente Beyond the Borders, XIII Concorso Internazionale di composizione Città di Udine, Chigiana Radioarte (Italy).&lt;br /&gt;&lt;br /&gt;Author and performer, his research deals with electroacoustic music, sound for images, video, art exhibition and electroacoustic compositions for contemporary theatrical performance. Nicola collaborates with many artists and performers in several productions of live electroacoustic music, with whom he experimented many types of generation and manipulation of sound dimension. He also collaborates with various recording studios and video production studios as a sound designer, sound engineer and re-recording mixer.</text>
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              <text>&lt;em&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/776"&gt;Aphasia&lt;/a&gt;- &lt;/em&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/775"&gt;Mark Applebaum&lt;/a&gt;</text>
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