75 10 868 Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Markus Muench Role Performer Member of <a href="https://compel-dev.vtlibraries.net/items/show/789">Roboterjazz</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Markus Muench Performance An expression of a composition bound by time, location, and medium. Composition Link to composition Musik-Automaten, by <a href="https://compel-dev.vtlibraries.net/exhibits/show/newinterfacesformusicalexpress/item/788">Karl F. Gerber</a> and <a href="https://compel-dev.vtlibraries.net/exhibits/show/newinterfacesformusicalexpress/item/793">Friedemann von Rechenberg</a> Performed by Link to performers (Person type) <a href="https://compel-dev.vtlibraries.net/exhibits/show/newinterfacesformusicalexpress/item/788">Karl F. Gerber</a> and <a href="https://compel-dev.vtlibraries.net/exhibits/show/newinterfacesformusicalexpress/item/793">Friedemann von Rechenberg</a> Date of Performance February 4, 2022 Time of Performance 8:00 p.m. - 10:00 p.m. Location of Performance Einstein Kultur, München Number of Performers 2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Abgefahrene Automaten Description An account of the resource More information about the event can be <a href="https://www.einsteinkultur.de/event/abgefahrene-automaten/">found here</a>. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. Stephen Ruppenthal Hardware Requirements Sound file play back (stereo or quad) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <em>Post-Apocalyptic Biscuit</em> Description An account of the resource Post-Apocalyptic Biscuit, jawbreaker, sea biscuit or Hardtack as it was commonly known. This biscuit, made of three ingredients was rationed out to soldiers in the American Civil War as well as other soldiers and sailors in various Countries throughout history. It will last a very long time, at least 20 years. This was what there was left to eat after the apocalypse. “Post-Apocalyptic Biscuit” (2020) is for Buchla 200, Electric Music Easel, Voice, and a variety of post-processing digital algorithmic plug-ins. The work is my response to the Strange Times that we are living through; especially the dark political tragedies playing out around the world, along with the horrific pandemic, and the subsequent self-isolation that we must all endure; a cautionary tale. The structure of the work follows this pattern of variants: “Post-Apocalyptic Biscuit” (8:12) Variants: I , III, IV, VI, VII, IX Watchtower Cathedral of the Winds Wailing at the Wall Bones Klangs & Drones Reminiscence Publisher An entity responsible for making the resource available Not yet. To be included on ImportantRecords "Strange Times' CD (2022) electroacoustic works by Stephen Ruppenthal and Gary Weisberg Date A point or period of time associated with an event in the lifecycle of the resource 2020 Person An individual. Name Standard: Salutation, First Name, Middle Initial, Last Name, Suffix Stephen Ruppenthal Role Composer Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Stephen Ruppenthal Software Compatibilities Supports LADSPA, DSSI, Lv2 and VST3 plugins Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource GSequencer Description An account of the resource Audio/MIDI Sequencer with piano roll http://compel-dev.vtlibraries.net/files/original/4a4f9a35c8b9a618489ff60fb0fe5dad.png f62195b2b301c7d8670c399179500e62 Person An individual. Role Creator Creator of <a href="https://compel-dev.vtlibraries.net/items/show/800">CAVI</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexander R. Jensenius http://compel-dev.vtlibraries.net/files/original/fbc76269b8e7a625816b7ff25f6e7771.png f62195b2b301c7d8670c399179500e62 Person An individual. Role Creator Creator of <a href="https://compel-dev.vtlibraries.net/items/show/800">CAVI</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Benedikte Wallace http://compel-dev.vtlibraries.net/files/original/363a8459a13677277ce35b2ea2bbeba1.png f62195b2b301c7d8670c399179500e62 Person An individual. Creator of <a href="https://compel-dev.vtlibraries.net/items/show/800">CAVI</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Çağrı Erdem http://compel-dev.vtlibraries.net/files/original/51c49f634b66ebc6fd019ab062c1b75c.png f62195b2b301c7d8670c399179500e62 Group One or more Persons with an established name. Institutional Affiliation Australian National University URL <a href="https://comp.anu.edu.au/courses/laptop-ensemble/">Website</a><br /><a href="https://comp.anu.edu.au/courses/laptop-ensemble/">Institutional Profile</a><br /><a href="https://www.youtube.com/channel/UCIU6SqIS02GJlnLOPqlwmpA">YouTube</a> Group Type Ensemble Contact charles.martin@anu.edu.au Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource ANU Laptop Ensemble Description An account of the resource The ANU Laptop Ensemble (LENS) was formed in 2018 as a collaborative effort between academics and students at The Australian National University. Since 2019, the group has reformed yearly as a "Special Topics in Computing" course inviting students from computer science, music, visual art, and digital humanities to come together and create ensemble music with computers. http://compel-dev.vtlibraries.net/files/original/f853b5aa38ba1e2bca17310aef3e7aef.png b00fd28bc1f5e0ca40be37a974fbc19d Person An individual. Pronouns he/him/his Role Composer Performer Designer Creator Researcher Social Media <a href="https://www.youtube.com/EduMeneses/">YouTube</a> URL <a href="https://www.edumeneses.com/">Meneses' website</a> Affiliation An organization or institution with which the person is or was affiliated. Société des Arts Technologiques (SAT) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Edu Meneses Description An account of the resource Edu Meneses is a music technologist, digital luthier, composer, and performer in the best interdisciplinary fashion. A Ph.D. in music technology at McGill University (IDMIL and CIRMMT), Edu is currently a researcher-developer at the Société des Arts Technologiques (SAT). He works with embedded systems for digital musical instruments (Linux/Rpi and ESP32) and sound spatialization, leading research-creation projects with product development and art-oriented usability evaluation. Some of his projects include Puara, the GuitarAMI, the T-Stick, Probatio, Latency/communication in digital musical instruments, and Le Vivier Mobile. These projects explored gestural control of sound systems, DSP, mapping (including sound spatialization), instrument/installation design, and of course, music composition/performance.