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              <text>Jared Bradley Tubbs, native to Tuscaloosa, Alabama, is a composer, percussionist, and music technologist pursuing his DMA in Music Composition at the University of Georgia. Previously, he has earned a Master of Arts in Music and Master of Music in Music Composition from Western Michigan University, studying under Dr. Lisa Coons and Dr. Christopher Biggs. Additionally, he has earned a Bachelor's degree in Music Composition at the University of Alabama, studying under Dr. Amir Zaheri.&#13;
&#13;
Since beginning his studies, Jared Bradley Tubbs has had numerous presentations of his research and creative work. His collaboration with choreographer Rebecca Salzer for the premiere of his work To Whom It May Concern for fixed media and dancers received multiple performances during the 2016 Alabama Repertory Dance Theatre season.  52Factorial, an improvisational work featuring live electronics, was chosen for performance at the 49th Annual Festival of New Music at Ball State University. His paper, “Unifying Sonification: Comparing and Codifying Standards of Sonification Between Artistic and Scientific Communities,” was selected for presentation at Electroacoustic Barndance in 2019 as well as MOXSonic and the National Student Electronic Music Event in 2020. His compositional and research interests center around experimental music and music technology.</text>
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University of Georgia- Doctoral Student&#13;
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Past Affiliation: &#13;
Western Michigan University- Masters Student&#13;
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Past Affiliation: &#13;
University of Alabama- Undergraduate Student</text>
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              <text>Graeme Shields is a Canadian-born composer and organist whose influences range from the Lutheran music tradition to the experimental confidence of the avant-garde. His compositions, often exercises in dry humour and eccentricity, aim to articulate the mysteries of the past, the spirit, and the unknown. His music features repetition, audible process, stark juxtaposition, theatrical elements, and a bricolage approach to harmonic language. Through these features and influences, he has generated a body of work that breathes new life into ancient elements like old-world folk tunes and extinct pagan rituals.&#13;
&#13;
Graeme has had works performed across the United States, Canada, and Russia at events such as Florida State University’s New Music Festival, Greenlight New Music Festival, and the Silver Sounds International Chamber Music Competition. He has also enjoyed artist residencies at Warbler’s Roost in South River, ON and Azule in Hot Springs, NC.&#13;
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As an organist, Graeme is a founding member of Vital Organ Project (VOP); a program that facilitates the creation, education, and performance of new music featuring the abilities and distinction of the pipe organ. Through concerts of modern repertoire and ongoing premieres of new works, VOP showcases the true versatility of the organ and its relevance to the 21st century. Since its inception in 2017, VOP has been the catalyst for over 20 world premieres and 30 concert events across the US and Canada.&#13;
&#13;
Graeme holds degrees from Western Michigan University and the University of Minnesota-Duluth. Primary teachers have included Christopher Biggs, Lisa Coons, and Justin Rubin. </text>
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                <text>Current Affiliation: &#13;
Redeemer Lutheran Church, Hinsdale, Illinois- Music Director&#13;
&#13;
Past Affiliation: &#13;
Calvary Episcopal Church in Cincinnati, OH - Organ Scholar&#13;
&#13;
Past Affiliation: &#13;
Western Michigan University - Adjunct Instructor</text>
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