48 10 868 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 9:07 URL <a href="https://seamusonline.org/work/times-square-times-ten/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1131.mp3">Listen to Times Square Times Ten</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Times Square Times Ten Date A point or period of time associated with an event in the lifecycle of the resource 1969 Description An account of the resource Bregman Electronic Music Studio. Tape piece using source material collected in New York City. Composition An original work. Instrumentation Electronics Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) indeterminate URL <a href="https://seamusonline.org/work/tin-birds/">SEAMUS Database</a> <a href="https://www.youtube.com/watch?v=PTwzlSZpQk8">YouTube</a> <a href="https://soundcloud.com/warren-enstrom/tin-birds-sample">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource tin birds Date A point or period of time associated with an event in the lifecycle of the resource 2014 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/670">Warren Enström</a> Description An account of the resource generative four-channel audio installation Composition An original work. Instrumentation Max/MSP Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) indefinite Software Requirements Max/MSP URL <a href="https://seamusonline.org/work/tintinnabuli/">SEAMUS Database</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="560" height="315" src="https://www.youtube.com/embed/NF2KJ4y64RY" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tintinnabuli: an algorithm Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/617">Will Huff</a> Description An account of the resource This Max/MSP patch has been designed to commemorate Arvo Pärt on his 80th birthday. The “tintinnabuli” style that Pärt has become known for has had a lasting impression on me as a composer, especially in “rule-based” or algorithmic composition. Composition An original work. Instrumentation Contrabass and Fixed Media Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 10:00 URL <a href="https://seamusonline.org/work/tnt-turetzkyntape/">SEAMUS Database</a> <a href="https://jamesmobberleymusic.com/list-of-works-score-samples/tnt-pages-1-7/">Score sample</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/201436168&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe> <div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jim-mobberley" title="Jim Mobberley" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jim Mobberley</a> · <a href="https://soundcloud.com/jim-mobberley/tnt" title="TNT for contrabass and fixed media" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">TNT for contrabass and fixed media</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource TNT (Turetzky'n'Tape) Date A point or period of time associated with an event in the lifecycle of the resource 1994 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/628">James Mobberley</a> Description An account of the resource In 1987 I saw Bert Turetzky perform Kenneth Gaburo’s ‘INSIDE’ and Tom Johnson’s ‘FAILING’ at a contemporary music festival. I remember hoping at the time that I would one day get the opportunity to write for Bert. I also remember being impressed not only with his bass playing but also with his ability to control the bass and his voice at the same time. When he asked me, some years later, to compose him a piece, I decided to incorporate vocal sounds into the fabric of the piece, though in a rather different way from the two pieces I had heard. As a result, TNT (Tureztky ‘N’ Tape) uses both vocal and bass sounds to make the tape part, and calls upon the performer to use both instrument and voice simultaneously, with extensive and intricate interaction between soloist and tape, especially in the rhythmic “groove” sections. In these, soloist and tape participate in the formation of, or improvisation over multi-layered grooves that might be at home in a jazz or latin sound. The tape part was constructed entirely of bass and vocal sounds, collected, edited, and mixed using Csound software on a NextStation computer. It was performed by Bert Turetzky as a work-in-progress in 1997, then revised, remixed, and completed for premiere performance by bassist Robert Black in Estonia in 2001, with a recording on the CDCM series. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/706">Christopher Hopkins</a> Instrumentation two clarinets and electroacoustic sound Length 10:00 Technology Requirements The choice of software to perform the audio cues is up to the performer. Playback of the audio files must allow overlap, where one audio file can begin as the previous finishes. No more than two layers are required. There is a simple Max patch supplied for performance and rehearsal. An additional patch is supplied for an individual alone to practice in stereo with selection of a MIDI controller input to advance cues. These patches have been tested for Max 5 or later. URL <a href="https://seamusonline.org/work/touche/">SEAMUS Database</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Touché Date A point or period of time associated with an event in the lifecycle of the resource 2009 Description An account of the resource Touché is a single movement duo-concertante in a toccata style. Two clarinet soloists are united in a musical contest, between themselves and together in opposition to an ensemble of synthetic clarinets automated from computer software. The toccata paradigm emphasizes the immediacy of touch upon the instruments, which traditionally serves to allow idioms of virtuosic performance to take the lead in determining musical form. Touché also takes the idea of musical touch to a yet more detailed level, that of articulation, the specific qualities of attack upon and the subsequent shaping of the musical tones. Here, therefore, the emphasis is on how the tones themselves are touched. The synthetic clarinets in particular emphasize these articulations, being made artificially sharp and separated, or more rarely, artificially dulled. There are also important shaping gestures, such as sudden swellings of tone with pointed conclusions, that suggest the rhythmic interchange of swordplay, notably fencing—en-garde. Composition An original work. Instrumentation flute and electronics URL <a href="https://seamusonline.org/work/traceshuellas/">SEAMUS Database</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traces/Huellas Date A point or period of time associated with an event in the lifecycle of the resource 2005 Creator An entity primarily responsible for making the resource <a href="http://compel-dev.vtlibraries.net/items/show/662">Jane Rigler</a> Description An account of the resource Centered around the story of the “hero’s quest” (inspired by Joseph Campbell’s writings on the subject) this open-structured, five-movement quadraphonic work relays the musical journey of a hero and her inner/outer struggles. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/731">Ivica Ico Bukvic</a> Instrumentation Live electronics Length 10' URL <a href="https://www.youtube.com/watch?v=jPBzkMkQlq4">YouTube</a> Performance(s) Link to performance expressions of the composition. <a href="https://compel-dev.vtlibraries.net/items/show/736">December 9, 2019</a> <a href="https://compel-dev.vtlibraries.net/items/show/735">September 15, 2019</a> <a href="https://compel-dev.vtlibraries.net/items/show/734">August 10, 2019</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traces Description An account of the resource Interactive multichannel work that uses <a href="http://ico.bukvic.net/main/d4">D4 spatialization library</a> and the Locus motion-tracking-based glove controller. Utilizes 8,000 channels of audio and mixes them down to 130 physical channels with sub-20ms latency. Date A point or period of time associated with an event in the lifecycle of the resource 2019 Performance An expression of a composition bound by time, location, and medium. Composition Link to composition <a href="https://compel-dev.vtlibraries.net/items/show/733">Traces</a> Performed by Link to performers (Person type) <a href="https://compel-dev.vtlibraries.net/items/show/731">Ivica Ico Bukvik</a> Date of Performance December 9, 2019 Location of Performance Virginia Tech Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traces (December 9, 2019) Subject The topic of the resource Fall DISIS & Creative Technologies in Music Event Performance An expression of a composition bound by time, location, and medium. Composition Link to composition <a href="https://compel-dev.vtlibraries.net/items/show/733">Traces</a> Performed by Link to performers (Person type) <a href="https://compel-dev.vtlibraries.net/items/show/731">Ivica Ico Bukvic</a> Date of Performance August 10, 2019 Location of Performance Virginia Tech Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traces (Premiere performance- August 10, 2019) Subject The topic of the resource CubeFest 2019 Performance An expression of a composition bound by time, location, and medium. Composition Link to composition <a href="https://compel-dev.vtlibraries.net/items/show/733">Traces</a> Performed by Link to performers (Person type) <a href="https://compel-dev.vtlibraries.net/items/show/731">Ivica Ico Bukvic</a> Date of Performance September 15, 2019 Location of Performance Virginia Tech Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Traces (September 15, 2019) Subject The topic of the resource Information Expression Immersion Symposium 2019