48 10 868 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/687">Alex Porter</a> Instrumentation for microtonally adapted keyboard; keyboard, midi, synthesizer, microtone Length 5:00 URL <a href="https://seamusonline.org/work/celluloid-veil/">SEAMUS Database</a> <a href="https://soundcloud.com/alexporter/celluloid-veil?in=alexporter/sets/compositions">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Celluloid Veil Date A point or period of time associated with an event in the lifecycle of the resource 2016 Description An account of the resource This piece uses a normal midi capable keyboard, then rescales the input to 40 pitches per octave. For the ease of the performer, standard notation is used as a kind of tablature; the written note corresponds to how it’s played rather than how it sounds. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/639">Brian Sears</a> Instrumentation for Piano and Live, Interactive Electronics Length 12:43 URL <a href="https://seamusonline.org/work/dreams-unwind/">SEAMUS Database</a> <a href="https://soundcloud.com/brian-sears-3/dreams-unwind-studio-recording">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dreams Unwind Date A point or period of time associated with an event in the lifecycle of the resource 2016 Description An account of the resource Dreams Unwind, for piano and live, interactive electronics was composed for pianist Keith Kirchoff as part of the 2016 SPLICE summer institute. This piece is a reflection on feelings of disillusionment, and how things may have diverged from the path we thought we were walking. Never really finding resolution, the piece walks the line between hopeful optimism and mocking contempt, leaving us with the feeling of looking towards an uncertain future. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation woodwind quintet, percussion, tape Length 5:01 URL <a href="https://seamusonline.org/work/music-for-six-instruments-and-prepared-tape/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41532">Archival materials pertaining to Music for Six Instruments can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Music for Six Instruments and Prepared Tape Date A point or period of time associated with an event in the lifecycle of the resource 1972 Description An account of the resource 7 distinct taped segments, recorded from an EMS "Putney" VCS 3 synthesizer. Premiered September 27, 1973 by the University of Denver Woodwind Quintet. Additional performances at the University of North Carolina-Chapel Hill. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Length 6:26 URL <a href="https://seamusonline.org/work/series-one-variations-to-t-t-l/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41519">Archival materials pertaining to Series One: Variations can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Series One: Variations - To T.T.L. Date A point or period of time associated with an event in the lifecycle of the resource 1983 Description An account of the resource Recorded from a Casio 1000-P synthesizer, the work is in 3 movements. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation piano, synthesizer Length 8:41 URL <a href="https://seamusonline.org/work/innerchange-ii-to-d-g/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41520">Archival materials pertaining to Innerchange II can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Innerchange II: To D.G. Date A point or period of time associated with an event in the lifecycle of the resource 1984 Description An account of the resource In 4 movements. Based upon the composer’s Innerchange I (1974), for viola and electronic piano. Premiered University of Denver, May 21, 1984, David Genova, piano; Composer, synthesizer (Casio 1000-P). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation acoustic guitar, tape Length 2:30 URL <a href="https://seamusonline.org/work/innerchange-iii-to-t-e-n/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41522">Archival materials pertaining to Innerchange III can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Innerchange III: To T.E.N. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Description An account of the resource Recorded from a Casio 1000-P synthesizer. Based upon earlier Innerchange works. Premiered Community College of Aurora, April 14, 1985, Thomas E. Noonan, guitar. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation tenor saxophone and tape Length 7:03 URL <a href="https://seamusonline.org/work/aeolian-suite-to-h-r-g/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41521">Archival records pertaining to Aeolian Suite can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Aeolian Suite: To H.R.G. Date A point or period of time associated with an event in the lifecycle of the resource 1985 Description An account of the resource Recorded from a Roland SH-101 synthesizer. Work is in 6 movements. Written for, and recorded by, Harry R. Gee, Indiana State University. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation tape; recorded from a Casio 1000-P synthesizer. Length 1:13 URL <a href="https://seamusonline.org/work/class-notes/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41523">Archival records pertaining to Class Notes can be found at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Class Notes Date A point or period of time associated with an event in the lifecycle of the resource 1986 Description An account of the resource Community College of Aurora Commission, first aired on Aurora Public Television (KACT, Channel 28), Spring, 1986. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation tape; recorded from a Casio 1000-P synthesizer. Length 2:35 URL <a href="https://seamusonline.org/work/star-chant/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41526">Archival holdings pertaining to Star Chant at the University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Star Chant Date A point or period of time associated with an event in the lifecycle of the resource 1986 Description An account of the resource Premiere: Electronic Music Marathon, Center for the Visual Arts (Boulder, CO), November 8, 1986. Work is an arrangement of the third movement of the composer’s Series Two (1976), for solo Bb clarinet. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/689">Thomas Brosh</a> Instrumentation Yamaha DSR-2000 synthesizer Length 95:00 URL <a href="https://seamusonline.org/work/the-hostage/">SEAMUS Database</a> <a href="https://archives.colorado.edu/repositories/3/archival_objects/41540">Archival materials pertaining to The Hostage can be found at University of Colorado Boulder's American Music Research Center</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hostage Date A point or period of time associated with an event in the lifecycle of the resource 1988 Description An account of the resource Musical, scored for live Yamaha DSR-2000 synthesizer University of Denver Theatre Program commission. Composed as a musical to the 1958 Brendan Behan play. A variety of song and dance numbers plus a 30-minute, electronically-sequenced prelude and interlude. Opened at the University of Denver, May 12, 1988, Susan Romaine Tobiska, Director; Composer, synthesizer. Also available is a 2:37 prelude excerpt plus a recording on synthesizer by the composer of selected songs.