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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/713"&gt;Ewa Trebacz&lt;/a&gt;</text>
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              <text>for Ambisonic space and symphony orchestra</text>
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              <text>&lt;a href="https://seamusonline.org/work/things-lost-things-invisible/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://soundcloud.com/user-905656918/things-lost-things-invisible"&gt;SoundCloud&lt;/a&gt;&lt;br /&gt;&lt;a href="http://ewatrebacz.com/works/things-lost-things-invisible/downloads/"&gt;Download the score, parts, electronics, and other materials here.&lt;/a&gt;</text>
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                <text>&lt;em&gt;things lost things invisible&lt;/em&gt;</text>
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                <text>2007</text>
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              <text>for percussion and live computer processing</text>
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              <text>Live processing in Pure Data</text>
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              <text>&lt;a href="https://seamusonline.org/work/things-that-live-in-the-whirligig/"&gt;SEAMUS database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://vidiksis.com/works/things-that-live-in-the-whirligig"&gt;Vidiksis' website&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/234724171&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/vidiksis" title="vidiksis" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;vidiksis&lt;/a&gt; · &lt;a href="https://soundcloud.com/vidiksis/things-that-live-in-the-whirligig" title="Things That Live In The Whirligig" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Things That Live In The Whirligig&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;em&gt;Things That Live in the Whirligig&lt;/em&gt;</text>
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                <text>&lt;a href="http://compel-dev.vtlibraries.net/items/show/645"&gt;Adam Vidiksis&lt;/a&gt;</text>
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                <text>&lt;div class="work-body"&gt;&#13;
&lt;p&gt;Spinning, spinning, spinning… we greet the wondrous creatures that live within the whirligig. This piece explores textures created through spinning, or that evoke whirling. As the whirligig goes round and round, I imagine a menagerie of creatures great and small that reside within. This work is based on a poem composed by my mother when she carried me, and I dedicate it to my newborn daughter. &lt;i&gt;Things That Live in the Whirligig&lt;/i&gt; is for solo multi-percussion and live processing, composed in Pure Data. “For things once seen are pulled within the whirligig of mind, where they are tamed and in the heart framed to be used over again in time…”&lt;/p&gt;&#13;
&lt;p&gt;Score and Pd patch available at www.vidiksis.com.&lt;/p&gt;&#13;
&lt;/div&gt;</text>
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              <text>&lt;p&gt;&lt;a href="https://seamusonline.org/work/this-i-cannot-escape/"&gt;SEAMUS Database&lt;/a&gt; &lt;br /&gt;&lt;a href="https://soundcloud.com/jon-fielder/this-i-cannot-escape"&gt;SoundCloud&lt;/a&gt;&lt;/p&gt;</text>
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                <text>&lt;em&gt;This, I Cannot Escape&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/679"&gt;Jon Fielder&lt;/a&gt;</text>
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                <text>Audio component of a collaboration with choreographer Morganne Mazeika and digital projection artist Michael Krauss.&#13;
&#13;
The main theme of our collaboration is dealing with post-traumatic stress disorder and the constant feelings of mental and emotional unrest that accompany PTSD.</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/731"&gt;Ivica Ico Bukvic&lt;/a&gt;</text>
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                <text>&lt;em&gt;Three Arrangements&lt;/em&gt;</text>
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                <text>Written for the Linux Laptop Orchestra (&lt;a href="http://ico.bukvic.net/main/l2ork/"&gt;L2Ork&lt;/a&gt;) to accompany world renowned visiting artist Manu Delago's performance; developed in collaboration with Manu Delago and Isa Kurz for their Metromonk tour performance at Virginia Tech featuring L2Ork.</text>
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              <text>for alto saxophone and live electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/three-movements-iambic/"&gt;SEAMUS Database&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/_JGYJj5wwOE" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/230717159&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/zhixin-xu-884845310" title="Zhixin Xu" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Zhixin Xu&lt;/a&gt; · &lt;a href="https://soundcloud.com/zhixin-xu-884845310/three-movements-for-saxophone-and-live-electronics-i-iambic" title="Three Movements for Saxophone and Live Electronics I Iambic (2014)" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Three Movements for Saxophone and Live Electronics I Iambic (2014)&lt;/a&gt;&lt;/div&gt;</text>
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                <text>&lt;em&gt;Three Movements - Iambic&lt;/em&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/652"&gt;Zhixin Xu&lt;/a&gt;</text>
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                <text>First movement of the three movements piece for Saxophone and live electronics. Live processed with Max/MSP and RTcmix. Premiere: Mar. 2015, Cohen Family Studio, CCM, Cincinnati</text>
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              <text>for baritone saxophone and live electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/three-movements-misshape/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=t9dwi4iDCwk"&gt;YouTube&lt;/a&gt;&lt;br /&gt;&lt;a href="https://soundcloud.com/zhixin-xu-884845310/three-movements-for-saxophone-and-live-electronics-ii-misshape"&gt;SoundCloud&lt;/a&gt;&#13;
&lt;p&gt;&lt;iframe width="560" height="315" src="https://www.youtube.com/embed/t9dwi4iDCwk" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/652"&gt;Zhixin Xu&lt;/a&gt;</text>
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                <text>Second movement of the three movements piece for Saxophone and live electronics. Live processed with Max/MSP and RTcmix. Premiere: Oct. 2015, Cohen Family Studio, CCM, Cincinnati</text>
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              <text>&lt;a href="https://seamusonline.org/work/three-movements-nirvana/"&gt;SEAMUS Database&lt;/a&gt; &lt;br /&gt;&lt;a href="https://www.youtube.com/watch?v=zX5rW3puxpw"&gt;YouTube&lt;/a&gt;&lt;br /&gt;&lt;a href="https://soundcloud.com/zhixin-xu-884845310/zhixin-xu-three-movements-for-saxophone-and-live-electronics-iii-nervana"&gt;SoundCloud&lt;/a&gt;</text>
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                <text>&lt;em&gt;THREE MOVEMENTS - Nirvana&lt;/em&gt;</text>
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                <text>2015</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/652"&gt;Zhixin Xu&lt;/a&gt;</text>
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                <text>Third movement of the three movements piece for Saxophone and live electronics. Live processed with Max/MSP and RTcmix. Premiere: Oct. 2015, Cohen Family Studio, CCM, Cincinnati</text>
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                <text>&lt;em&gt;Through the Looking Glass&lt;/em&gt;</text>
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                <text>I’ve always been fascinated by water patterns, explored in this video through the looking glass of a camera lens which takes me closer or farther than I can reach while standing on shore, wading, swimming, or paddling a canoe. The magnification that the lens provides allows me to capture what I can’t observe with my own eyes due to physical obstructions, capabilities, or disruptions in the patterns that adding my body to the water creates. The patterns are illusive, changing in an instant due to variations in wind, light, currents, distance, and/or camera angle. I wanted to capture patterns of rainfall, but the severe drought of 2015 in the San Francisco Bay Area prevented it, so the focus turned to bodies of water in and around the Bay Area. The sounds I wished to hear in these locations were very delicate but were overwhelmed by sounds of helicopters, motorcycles, trucks, cars, trains, BART, and constant planes. I transformed the sounds of these and other human generated sounds into sounds that reflected the natural environment that I captured on video. The images are just as they were captured, without processing. My earlier video Liquid Metal also focused on water patterns and the intrusion of human-created sounds into the wilds.</text>
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              <text>for fixed media electronics</text>
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              <text>5:30 </text>
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              <text>&lt;a href="https://seamusonline.org/work/time-passed/"&gt;SEAMUS Database&lt;/a&gt;</text>
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              <text>&lt;p&gt;&lt;iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/113299952&amp;amp;color=%23ff5500&amp;amp;auto_play=false&amp;amp;hide_related=false&amp;amp;show_comments=true&amp;amp;show_user=true&amp;amp;show_reposts=false&amp;amp;show_teaser=true&amp;amp;visual=true"&gt;&lt;/iframe&gt;&lt;/p&gt;&#13;
&lt;div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"&gt;&lt;a href="https://soundcloud.com/edmartincomposer" title="edmartincomposer" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;edmartincomposer&lt;/a&gt; · &lt;a href="https://soundcloud.com/edmartincomposer/time-passed" title="Time Passed" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener"&gt;Time Passed&lt;/a&gt;&lt;/div&gt;</text>
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                <text>2007</text>
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                <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/638"&gt;Ed Martin&lt;/a&gt;</text>
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          <name>Composed by</name>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/717"&gt;Leah Pesenson&lt;/a&gt;</text>
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              <text>Piano, Guitar, Cello, Piano as percussion, Electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/time/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="https://soundcloud.com/leeza_p/time"&gt;SoundCloud&lt;/a&gt;</text>
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                <text>Tick-tock</text>
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