42 10 868 Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/688">John Wiggins</a> Length 10:00 URL <a href="https://seamusonline.org/work/string-1/">SEAMUS Database</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource STRING 1 Date A point or period of time associated with an event in the lifecycle of the resource 2016 Creator An entity primarily responsible for making the resource John Wiggins Description An account of the resource A year's worth of recordings of electroacoustic music using sounds from everywhere. STRING 1 represents a full twelve months of creating electro/acoustic pieces and beds that I then layered and edited together into one single piece. My concern is making something that is continually interesting to the ear. I followed Luc Ferrari’s lead in building and moving, always toward new ideas. STRING tries mostly to manipulate timbre and space, creating the listened to sounds. Composition An original work. Instrumentation Fixed Media Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 4:00 URL <a href="https://seamusonline.org/work/study-for-vox-inhumana/">SEAMUS Database</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/16104493&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe> <div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/jim-mobberley" title="Jim Mobberley" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Jim Mobberley</a> · <a href="https://soundcloud.com/jim-mobberley/study-for-vox-inhumana" title="Study for Vox Inhumana for fixed media" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Study for Vox Inhumana for fixed media</a></div> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Study for Vox Inhumana Date A point or period of time associated with an event in the lifecycle of the resource 2000 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/628">James Mobberley</a> Description An account of the resource Study for Vox Inhumana (2000) is a brief exploration of the sound world that is to form the basis for a series of larger and varied works that combine vocal sounds (non-singing) with each other (tape compositions and works for vocal improvisation ensemble), with instruments, and with combinations of live vocal and instrumental sounds with both recorded and interactive computer elements. The human voice is the most varied instrument of all, and its rich soundfield has yet to be tapped fully – in fact it may never be. The sounds in this recording were produced and recorded by the composer, representing only one of thousands of vocal treasuries. The piece uses Csound and sound editing software to combine collage techniques with grooves and other devices. The structure is at times controlled and at times rhapsodic, reflecting the moods and bends of the creative (snapped) mind of its composer. Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 1:51 URL <a href="https://seamusonline.org/work/subject-to-fits-aglaya/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1124.mp3">Listen to Subject to Fits - "Aglaya"</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - "Aglaya" Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 1:49 URL <a href="https://seamusonline.org/work/subject-to-fits-myshkin-and-chorus-with-voice/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1120.mp3">Listen to Subject to Fits - "Myshkin and Chorus" (with voice)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - "Myshkin and Chorus" (with voice) Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander (soundtrack, 6 separate pieces). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 1:50 URL <a href="https://seamusonline.org/work/subject-to-fits-myshkin-and-chorus-without-voice/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1121.mp3">Listen to Subject to Fits - "Myshkin and Chorus" (without voice)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - "Myshkin and Chorus" (without voice) Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 1:32 URL <a href="https://seamusonline.org/work/subject-to-fits-myshkin-without-voice/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1119.mp3">Listen to Subject to Fits - Myshkin (without voice)</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - "Myshkin" (without voice) Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 1:22 URL <a href="https://seamusonline.org/work/subject-to-fits-natashas-song/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1122.mp3">Listen to Subject to Fits- "Natasha's Song"</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - "Natasha's Song" Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental music; a score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). Composition An original work. Composed by a link back to one or more Person records responsible for the composition. <a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a> Instrumentation Fixed Media Length 3:32 URL <a href="https://seamusonline.org/work/subject-to-fits-opera/">SEAMUS Database</a> <a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1123.mp3">Listen to Subject to Fits- Opera</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Subject to Fits - Opera Date A point or period of time associated with an event in the lifecycle of the resource 1978 Description An account of the resource Incidental Music. A score for a play produced in Hopkins Center directed by Rod Alexander. (soundtrack, 6 separate pieces). Subject The topic of the resource Composition An original work. Instrumentation Piano and fixed electronics (computer-processed piano) Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 11:00 URL <a href="https://seamusonline.org/work/summer-phantoms-nocturne/">SEAMUS Database</a> <a href="https://beletmusic.com/compositions">Brian Belet's website</a> Representative Recording(s) Use this field to embed video or audio recordings that the composer(s) consider representative of the piece. <iframe width="560" height="315" src="https://www.youtube.com/embed/BezF0uzOlmM" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Summer Phantoms: Nocturne Date A point or period of time associated with an event in the lifecycle of the resource 2011 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/630">Brian Belet</a> Description An account of the resource 2-, 4-, or 8-channel mixes available Published on two audio CDs: Insomnia, Kai Schumacher, piano. SWR Music/Hänssler Classic (093.334.000), June 2015. Here (and There), Jeri-Mae Astolfi, piano. Innova Records (Innova 846), January 2013. Composition An original work. Instrumentation soprano voice, alto saxophone, fixed media, live electronics Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 19:00 URL <a href="https://seamusonline.org/work/surveillance-state-for-soprano-alto-saxophone-fixed-media-and-live-electronics-op-10-2015/">SEAMUS Database</a> <a href="https://issuu.com/andresluz/docs/surveillance_state_for_soprano__alt">issuu</a> <a href="https://soundcloud.com/andresrluz/surveillance-state-for-soprano-alto-saxophone-fixed-media-and-live-electronics">SoundCloud</a> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Surveillance State for soprano, alto saxophone and live electronics Date A point or period of time associated with an event in the lifecycle of the resource 2015 Creator An entity primarily responsible for making the resource <a href="https://compel-dev.vtlibraries.net/items/show/675">Andres Luz</a> Description An account of the resource A 19-minute work in three movements examining the impact of the National Security Agency's (NSA) massive surveillance programs on the condition of Americans' Fourth Amendment right to privacy. <div class="work-body"> In early June 2013, security infrastructure analyst Edward Snowden leaked numerous classified documents detailing the comprehensive global surveillance programs and tactics carried out by the National Security Agency (NSA) in the U.S. and the Government Communications Headquarters (GCHQ) in the U.K. This revelation prompted widespread and heated concern over U.S. and British governmental policies in the bulk collection of private communications and internet data of citizens and foreign nationals as a means to counteract terrorist activities at home and abroad. Surveillance State for soprano, alto saxophone and live electronics, op. 10, takes as its subject the impact of massive government surveillance on the condition of American Idealism, specifically in matters of the individual’s right to personal freedom and privacy, in the years following the events of 9/11. Part 1: Snowden / Interlude: Sacrifice Liberty / Part 2: Scherzo – The Fourth Amendment / Epilogue: The Leviathan </div>