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              <text>&lt;a href="https://seamusonline.org/work/chefs-doeuvre/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1016.mp3"&gt;Listen to &lt;em&gt;Chef's d'oeuvre&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;em&gt;Chef's d'oeuvre&lt;/em&gt;</text>
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                <text>First electronic music composition in the Griffith Electronic Music Studio. The most well-known of all the composer’s works.</text>
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              <text>&lt;a href="https://seamusonline.org/work/columbia-etude-no-1/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1017.mp3"&gt;Listen to &lt;em&gt;Columbia etude no. 1&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Tape spliced exercise in the Columbia-Princeton Electronic Music Center.</text>
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              <text>&lt;a href="https://seamusonline.org/work/correspondences-amoreuse-des-isle-marquises/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1019.mp3"&gt;Listen to &lt;em&gt;Correspondences amoreuse des Isle Marquises&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Source material for ‘Ce Que Signifie’ consisting of recordings made in Nuku Hiva in the Marqueses Islands.</text>
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              <text>&lt;a href="https://seamusonline.org/work/degitaru-ongaku/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.synclavier.com"&gt;Synclavier&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1020.mp3"&gt;Listen to &lt;em&gt;Degitaru Ongaku&lt;/em&gt;&lt;/a&gt;</text>
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                <text>&lt;em&gt;Degitaru Ongaku&lt;/em&gt;</text>
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                <text>Synclavier Concert, Lionel Hampton School of Music, University of Idaho, March 18, 1986.</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/686"&gt;Jon Appleton&lt;/a&gt; &lt;br /&gt;&lt;a href="https://compel-dev.vtlibraries.net/items/show/766"&gt;Christian Wolff&lt;/a&gt;</text>
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              <text>Wooden Structure, Electronics</text>
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              <text>&lt;a href="https://seamusonline.org/work/double-structure/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1023.mp3"&gt;Listen to &lt;em&gt;Double Structure&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Live recording from Spaulding Auditorium at Dartmouth College, October 31 1971. A pre-cut wooden structure is assembled on stage with moving electronics by the two composers.</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/686"&gt;Jon Appleton&lt;/a&gt;</text>
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              <text>&lt;a href="https://seamusonline.org/work/dr-quisling-in-stockholm/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1026.mp3"&gt;Listen to &lt;em&gt;Dr. Quisling in Stockholm&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Bregman Electronic Music Studio. A political piece in protest of the conditions for composers working at Elektronimusikstudion Stockholm and commissioned by the Swedish Radio.</text>
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              <text>&lt;a href="https://seamusonline.org/work/duo-for-oscar/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.synclavier.com"&gt;Synclavier&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1024.mp3"&gt;Listen to &lt;em&gt;Duo for Oscar&lt;/em&gt;&lt;/a&gt;</text>
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                <text>Synclavier Concert, Lionel Hampton School of Music, University of Idaho, March 18, 1986. For one performer who plays alternately and together on both keyboard instruments.</text>
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              <text>&lt;a href="https://compel-dev.vtlibraries.net/items/show/686"&gt;Jon Appleton&lt;/a&gt;</text>
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              <text>&lt;a href="https://seamusonline.org/work/duobatoni/"&gt;SEAMUS Database&lt;/a&gt;&lt;br /&gt;&lt;a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1025.mp3"&gt;Listen to &lt;em&gt;Duobatoni&lt;/em&gt;&lt;/a&gt;</text>
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