13
10
868
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/700">Mike Olson</a>
Instrumentation
Mood Model 12 modular synthesizer, Hammond organ, drums and percussion
Length
5:56
URL
<a href="https://seamusonline.org/work/de-novo/">SEAMUS Database</a><br /><a href="http://www.mikeolsonmusic.com/de-novo">Mike Olson's website</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>De Novo</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2013
Description
An account of the resource
<div class="work-body">
<p>This piece is included on the <a href="http://www.mikeolsonmusic.com/six-projects">Six Projects</a> CD/LP released on the <a href="http://www.innova.mu/">Innova Recordings</a> label in 2015.</p>
<p><em>De Novo</em> was created in 2013 for multimedia artist, <a href="http://fellmanstudio.com/">Lynn Fellman</a>. Lynn strives to communicate discoveries in human evolution and genomic science through art and narrative. The title of this composition comes from Lynn’s work associated with research being done on the <a href="https://en.wikipedia.org/wiki/Neanderthal_genome_project">Neanderthal genome</a>. De Novo literally means “something new” and refers to genetic mutations that all humans and their extinct cousins, the Neanderthals, are born with. The overall form of this composition was strongly influenced by input Lynn provided regarding our current understanding of the human genome and how it has developed over time.</p>
<p>This is another of my <a href="http://www.mikeolsonmusic.com/compositional-process">fragment-based compositions</a>, where all of the performances were recorded separately and then heavily edited and used as source material for the final compositional construction in the computer. It was my very great pleasure to work with the phenomenal <a href="http://daveking.net/">Dave King</a> on this project. He is an exceptionally gifted drummer, who showed up to the session in the middle of a snow storm at night, (God bless him). <a href="http://www.zeitgeistnewmusic.org/artistic-personnel.php">Heather</a> is of course a true stalwart, who I’ve been fortunate enough to work with on a number of occasions. She is a first-call Contemporary Concert music percussion guru and a local treasure here in the Twin Cities.</p>
</div>
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Composition
An original work.
URL
<a href="https://seamusonline.org/work/deckle/">SEAMUS Database</a><br /><a href="https://soundcloud.com/delaurenti/deckle?in=delaurenti/sets/electroacoustic">SoundCloud</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Deckle</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Creator
An entity primarily responsible for making the resource
<a href="http://compel-dev.vtlibraries.net/items/show/668">Christopher DeLaurenti</a>
Description
An account of the resource
Stridulating, dub-like glitch with tilting planes of reverb and echo. Deckle was created as a pocket remix for Wyndel Hunt's album Sunshine Noir released in 2010 by Dragon's Eye Recordings.
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Composition
An original work.
Instrumentation
trumpet
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
10:00
URL
<a href="https://seamusonline.org/work/decoherence/">SEAMUS Database</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Decoherence</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="http://compel-dev.vtlibraries.net/items/show/663">Christopher Biggs</a>
Description
An account of the resource
This is a work for trumpet and live audiovisual media based on an idea in quantum physics.
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a>
Instrumentation
for Synclavier - digital instrument available
Length
14:24
URL
<a href="https://seamusonline.org/work/degitaru-ongaku/">SEAMUS Database</a><br /><a href="http://www.synclavier.com">Synclavier</a><br /><a href="http://media.dartmouth.edu/~jonesmedia/Appleton/APP1020.mp3">Listen to <em>Degitaru Ongaku</em></a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Degitaru Ongaku</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1986
Description
An account of the resource
Synclavier Concert, Lionel Hampton School of Music, University of Idaho, March 18, 1986.
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Composition
An original work.
Instrumentation
Fixed Media
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
5:06
URL
<a href="https://seamusonline.org/work/densite/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe width="100%" height="300" scrolling="no" frameborder="no" allow="autoplay" src="https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/45337441&color=%23ff5500&auto_play=false&hide_related=false&show_comments=true&show_user=true&show_reposts=false&show_teaser=true&visual=true"></iframe></p>
<div style="font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;"><a href="https://soundcloud.com/benjaminmobrien" title="Benjamin O'Brien" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Benjamin O'Brien</a> · <a href="https://soundcloud.com/benjaminmobrien/densite" title="Densité [2012]" target="_blank" style="color: #cccccc; text-decoration: none;" rel="noopener">Densité [2012]</a></div>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Densité</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/618">Benjamin O'Brien</a>
Description
An account of the resource
“Densité” was written in the audio software languages of SuperCollider and Paul Koonce’s PVC. “Densité” documents the interactions between the density of samples being selected and the dimensions of the space in which they are realized. Depending on particular sets of heuristics, different exponential models and soundscape audio files determine percussion sample playback parameters which are, in turn, recorded. These audio segments are then convolved with varying types of impulses responses, resulting in different sonic spaces. “Densité” focuses on subverting the inherent sonic qualities of percussion instruments as a result of temporal sequence and their individual placement within particular spaces.
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Composition
An original work.
Instrumentation
tape
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
21:00
URL
<a href="https://seamusonline.org/work/descent-7/">SEAMUS Database</a>
Representative Recording(s)
Use this field to embed video or audio recordings that the composer(s) consider representative of the piece.
<p><iframe style="border: 0; width: 350px; height: 470px;" src="https://bandcamp.com/EmbeddedPlayer/album=728040633/size=large/bgcol=ffffff/linkcol=0687f5/tracklist=false/transparent=true/" seamless=""><a href="https://woolgatheringsound.bandcamp.com/album/descent-7">descent #7 by woolgathering</a></iframe></p>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>descent #7</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/641">Jacob Sundstrom</a>
Description
An account of the resource
brought to you by Carl's Jr.<br />
<div class="work-body">
<p>One piece in six parts. There are no gaps between parts.</p>
<p>Sampled piano in loops. Reverb. Random panning and amplitude according to a predetermined behavioral framework. Everything made in Pd.</p>
<p>There exist a quadraphonic and stereo version.</p>
</div>
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Composition
An original work.
Instrumentation
For guitar and electronics
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
7:00
URL
<a href="https://seamusonline.org/work/desert-presence/">SEAMUS Database</a><br /><a href="https://www.youtube.com/watch?v=_6DTNCh1K3M">YouTube</a><br /><a href="http://www.nicolaschuaqui.com/desertpresence.html#.V4qPHCMrKRY">Chuaqui's website</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Desert Presence</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2014
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/677">Nicolas Chuaqui</a>
Description
An account of the resource
<div class="work-body">
<p><strong>Desert Presence</strong> reminisces on the landscape of the American West, dwelling on how the vast, open spaces of the region are both “quiet” and “loud:” silent and empty, but also overwhelming because of that very emptiness in such large space. The performer interacts in dialogue with an unseen presence. As this back-and-forth develops, the two voices begin to come together as echoes of one another, creating a fleeting sense of union between the known and unknown. The piece is performed through Max/MSP, using both recorded sounds and live processing of the guitar and electronics during the performance.</p>
<p>Cues specified in the score determine the entrances of electronic elements; some sounds are triggered by volume choices made by the performer, while others use randomization. The cues may be controlled by the performer, with a pedal, or an outside person. The guitarist must be playing into a microphone, both for balance and to make use of the live electronics.</p>
</div>
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Composition
An original work.
Instrumentation
for Performer and Computer (Actor and Fixed Media and Live Processing)
Duration
Length of time involved (seconds, minutes, hours, days, class periods, etc.)
15:00
URL
<a href="https://jamesmobberleymusic.com/list-of-works-score-samples/dialogue-pages-1-5/">Score sample on James Mobberley's website</a> <br /><a href="https://seamusonline.org/work/dialogue/">SEAMUS Database</a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Dialogue</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
1987
Creator
An entity primarily responsible for making the resource
<a href="https://compel-dev.vtlibraries.net/items/show/628">James Mobberley</a>
Description
An account of the resource
Written for my perennial partner in tomfoolery, trombonist and unfathomably funny fellow, John Leisenring.
PROGRAM NOTE: This work attempts to define, by example, the inherent discontinuity that exists between silicon- and carbon-based life forms. If desired, the audience can, at the end of the performance, determine which is superior. Or not. Whatever.
NOTE: This work uses both live processing and fixed media.
Composer contact: mobberleyj@umkc.edu
Website (scores, recordings and info): http://jamesmobberleymusic.com
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/786">Mikako Mizuno</a>, <br /><a href="https://compel-dev.vtlibraries.net/items/show/787">Yoshihisa Suzuki</a>
Instrumentation
6 total; 3 people as performers, 2 people for camera, 1 as audio technician.
Instrumentation: piano, percussion (snare drum or djembe)
This piece is composed for 3 performers and 2 separate places. The two places must be connected on the local network.
Multimedia Elements
video of a pre-recorded performance
Software Requirements
Max
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Diastema 2</em>
Description
An account of the resource
The two places will audio-visually connected. Because of several layers of latency (LAN, audio processing, hardware transmission, etc.), the audience will not only see the time difference between the two but also hear the tuning difference between the instruments. Interval of the pitches, separation of the places and time difference are the three dimension of the piece. The audience can see and hear all the three dimensions from an objective point.
Date
A point or period of time associated with an event in the lifecycle of the resource
2021
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Composition
An original work.
Composed by
a link back to one or more Person records responsible for the composition.
<a href="https://compel-dev.vtlibraries.net/items/show/686">Jon Appleton</a><br /><a href="https://compel-dev.vtlibraries.net/items/show/764">Paul Botelho</a>
Instrumentation
Voice, Piano and Fixed Media
Length
7:33
URL
<a href="https://seamusonline.org/work/die-herrlichkeit-loch-in-den-bundling-bord/">SEAMUS Database</a><br /><a href="https://pauljbotelho.com/media/die_herrlichkeit/die_herrlichkeit.mp3">Listen to <em>Die Herrlichkeit Loch in den Bundling Bord</em></a>
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em>Die Herrlichkeit Loch in den Bundling Bord</em>
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Description
An account of the resource
in collaboration with Paul Botelho